The Trumpeter
Oil Painting
1654 (painted)
1654 (painted)
Artist/Maker | |
Place of origin |
A Dutch army trumpeter blows his horn while the men and women around him, seemingly oblivious, continue to go about their business, dressing, smoking and warming themselves by the fire. Anthonie [Stevers] Palamedes, (b Delft, 1601; d Amsterdam, 1673) was a Dutch painter. His teacher is unknown, but he may have studied in Delft with the court painter Michiel van Mierevelt and/or Hendrik Pot, who was in the city in 1620. Palamedes joined the Delft Guild of St Luke in 1621. In 1673 Anthonie was residing in Amsterdam, probably with his eldest son, the painter Palamedes Palamedes II. Anthonie was a genre, portrait and still-life painter but is best known for his paintings depicting musical or merry companies and soldiers. Such works attest to his knowledge of contemporary genre paintings by Haarlem and Amsterdam artists, such as Dirck Hals, Pieter Codde, Willem Duyster and Hendrik Pot. In the 1640s and 1650s Palamedesz. often painted guardroom scenes and soldiers with their camp followers in stables, adopting compositions recalling designs by Duyster and Jacob Duck but executed in a looser, less refined technique. Palamedes painted several different composition depicting a trumpeter with a clarion flag hung from his instrument. The trumpeter's task in the Dutch army was to alert all the soldiers in the guardroom (cortegaard) to march out of the military unit following a commander's orders.
Object details
Categories | |
Object type | |
Title | The Trumpeter (generic title) |
Materials and techniques | Oil on oak panel |
Brief description | Oil painting, 'The Trumpeter', Anthonie Palamedesz., 1654 |
Physical description | A Dutch army trumpeter blows his horn while the men and women around him, seemingly oblivious, continue to go about their business, dressing, smoking and warming themselves by the fire |
Dimensions |
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Style | |
Marks and inscriptions | 'A. Palamedes, 1654' (Signed and dated by the artist, lower left) |
Gallery label |
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Credit line | Bequeathed by Rev., Chauncey Hare Townshend |
Object history | Bequeathed by Rev. Chauncey Hare Townshend, 1868 Historical significance: Anthonie [Stevers] Palamedes, (b Delft, 1601; d Amsterdam, 1673) was a Dutch painter. His teacher is unknown, but he may have studied in Delft with the court painter Michiel van Mierevelt and/or Hendrik Pot, who was in the city in 1620. Palamedes joined the Delft Guild of St Luke in 1621. In 1673 Anthonie was residing in Amsterdam, probably with his eldest son, the painter Palamedes Palamedes II. Anthonie was a genre, portrait and still-life painter but is best known for his paintings depicting musical or merry companies and soldiers. Such works attest to his knowledge of contemporary genre paintings by Haarlem and Amsterdam artists, such as Dirck Hals, Pieter Codde, Willem Duyster and Hendrik Pot. In the 1640s and 1650s Palamedesz. often painted guardroom scenes and soldiers with their camp followers in stables, adopting compositions recalling designs by Duyster and Jacob Duck but executed in a looser, less refined technique. Palamedes painted several different composition depicting a trumpeter with a clarion flag hung from his instrument. The trumpeter's task in the Dutch army was to alert all the soldiers in the guardroom (cortegaard) to march out of the military unit following a commander's orders. |
Historical context | Genre paintings such as this often represented the lower classes of society, especially peasants, but as the decades progressed such pictures evolved to included more elevated classes and became especially popular in Holland in the the 17th century. These pictures often depict scenes of everyday life set in domestic interiors or in the countryside. Scholars continue to debate whether they bear a metaphorical meaning and hidden messages, or just feature a close depiction of contemporary events. In both case they are associated with health, pleasure and liberty. |
Subject depicted | |
Summary | A Dutch army trumpeter blows his horn while the men and women around him, seemingly oblivious, continue to go about their business, dressing, smoking and warming themselves by the fire. Anthonie [Stevers] Palamedes, (b Delft, 1601; d Amsterdam, 1673) was a Dutch painter. His teacher is unknown, but he may have studied in Delft with the court painter Michiel van Mierevelt and/or Hendrik Pot, who was in the city in 1620. Palamedes joined the Delft Guild of St Luke in 1621. In 1673 Anthonie was residing in Amsterdam, probably with his eldest son, the painter Palamedes Palamedes II. Anthonie was a genre, portrait and still-life painter but is best known for his paintings depicting musical or merry companies and soldiers. Such works attest to his knowledge of contemporary genre paintings by Haarlem and Amsterdam artists, such as Dirck Hals, Pieter Codde, Willem Duyster and Hendrik Pot. In the 1640s and 1650s Palamedesz. often painted guardroom scenes and soldiers with their camp followers in stables, adopting compositions recalling designs by Duyster and Jacob Duck but executed in a looser, less refined technique. Palamedes painted several different composition depicting a trumpeter with a clarion flag hung from his instrument. The trumpeter's task in the Dutch army was to alert all the soldiers in the guardroom (cortegaard) to march out of the military unit following a commander's orders. |
Bibliographic references |
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Collection | |
Accession number | 1350-1869 |
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Record created | March 21, 2007 |
Record URL |
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