Oil painting, colour sketch for the spirit fresco 'The Arts of Industry as Applied to Peace', By Frederic, Lord Leighton, oil on canvas, British School, 1872-1873

Oil painting

Commissioned by the South Kensington Museum

Commissioned for the decoration of the South Kensington Museum.

This is the small colour sketch Leighton made in preparation for the fresco The Arts of Industry as applied to Peace in 1872-3.

Historical significance: Frederic Leighton was born in Scarborough in 1830, but his family travelled extensively in Europe during his childhood. After receiving an all round education, he studied art at Frankfurt under Steinle, and at Brussels, Paris and Rome. In 1852 he began to work independently and spent the next three years in Rome.

Leighton's painting Cimabue's Madonna carried through Florence (1853-55) was his first major work, and an immediate success. When it was shown at the Royal Academy in 1855, it was bought by Queen Victoria.

Leighton settled in London in 1859, though he frequently travelled abroad. His cosmopolitan knowledge of languages, literature and music marked him out as an exceptional figure in Victorian London, and he rose rapidly through the art establishment. He was elected ARA in 1864 and RA in 1868, and attained the Presidency of the Royal Academy in 1878. He was the most influential of the Victorian Classical painters, and an important exponent of the 'subjectless' painting associated with the Aesthetic Movement, in which pictorial narrative is suppressed in favour of beauty and atmosphere. Leighton died on 25 January 1896 and is buried in St. Paul's Cathedral.

In the 1870s and 1880s Leighton was commissioned by the South Kensington Museum (as the V&A was then known) to paint two large lunette paintings for each end of the South Court of the museum. The Arts of Industry as applied to War was painted between 1878 and 1880, and The Arts of Industry as applied to Peace was painted between 1884 and 1886. The complex story of the commission is told in Richard Ormond's book Leighton's Frescoes in the Victoria and Albert Museum, London, 1975, the full text of which is included here in the bibliographic field.

The South Kensington Musem, now the V&A, was founded to promote the ‘industrial arts’ – designed and manufactured objects – by displaying the finest historical and contemporary examples. Leading Victorian artist Frederic Leighton was commissioned to paint two frescos (Museum nos. SKM.19 and SKM.20) on that theme for the South Court, a vast two-storey glass roofed gallery which was then the centrepiece of the Museum. Leighton used a complex process for designing and painting the fresco. It involved a number of stages and years of work. First, he drew a sketch to establish overall composition. Then he made a highly finished drawing, for approval from the Museum. Once approved, students from what is now the Royal College of Art copied the design onto two canvases smaller than the lunette where the finished freco would be painted. Leighton used these to work out the colour scheme by painting small colour oil sketches like this one (Museum nos. 992-1873 and 993-1873). He also made larger monochrome cartoons to establish areas of light, shade and volume. Finally, the students enlarged the finished design onto this huge canvas the same size as the lunette. This was used to transfer the design onto the wall, before Leighton began painting the fresco.

993-1873