Not on display

Princess Ida

Sketches
ca.1920s (designed)
Artist/Maker
Place of origin

Princess Ida, or Castle Adamant by W.S. Gilbert and Arthur Sullivan was produced at the Savoy Theatre under the management of Richard D’Oyly Carte on Saturday 5th January 1884 until Saturday 16th August 1884, and from Monday 15th September until Thursday 9th October 1884.

Agreeing on a new subject after Iolanthe proved difficult. Gilbert suggested his ‘magic lozenge’ plot in which characters magically transformed themselves by swallowing one - the idea he had used for his 1873 play The Wicked World. Sullivan wanted a story of more human interest, and eventually agreed on Princess Ida, Gilbert’s ‘respectful perversion’ of Tennyson’s 1847 narrative poem The Princess that Gilbert had previously dramatized in The Princess, staged at the Olympic Theatre in January 1870. Set in Castle Adamant where Princess Ida, the daughter of the crotchety King Gama, runs a women’s college, Princess Ida was a satire on women’s education, a controversial subject in 1847 when Queen’s College opened in London, and in 1870, the year after the establishment of Girton College, Cambridge. The only Gilbert and Sullivan three act opera, and the only one in blank verse, it contains some of Sullivan’s most operatic music but did not enjoy the lasting success of their previous works and was not revived in London during D’Oyly Carte’s management.

Object details

Categories
Object type
TitlePrincess Ida (generic title)
Materials and techniques
Pencil crayon on sugar paper
Brief description
Costume sketch, executed by Percy Home during a performance of Princess Ida, unidentified character, ca. 1920s
Physical description
Sketch by Percy Home of costumes featured in Princess Ida, unidentified character. The sketch is a line drawing in black pencil crayon. It features a full length image of a figure wearing a long dress and with its head covered. The figure's left arm is outstretched and is facing towards the viewer. A handwritten title reading 'The Three Princes dance in Princess Ida's castle' has been added to the bottom left hand corner of the design.
Dimensions
  • Height: 30.2cm
  • Width: 22.7cm
Marks and inscriptions
'The Three Princes[?]/dance in/Princess Ida's/castle'

Note
Handwritten annotation in black pencil crayon in the bottom left hand corner of the design
Credit line
Given by Dame Bridget D'Oyly Carte.
The V&A wishes to acknowledge the generous support given by The Gladys Krieble Delmas Foundation, which facilitated the cataloguing of the D’Oyly Carte Archive designs in 2015/16.
Summary
Princess Ida, or Castle Adamant by W.S. Gilbert and Arthur Sullivan was produced at the Savoy Theatre under the management of Richard D’Oyly Carte on Saturday 5th January 1884 until Saturday 16th August 1884, and from Monday 15th September until Thursday 9th October 1884.

Agreeing on a new subject after Iolanthe proved difficult. Gilbert suggested his ‘magic lozenge’ plot in which characters magically transformed themselves by swallowing one - the idea he had used for his 1873 play The Wicked World. Sullivan wanted a story of more human interest, and eventually agreed on Princess Ida, Gilbert’s ‘respectful perversion’ of Tennyson’s 1847 narrative poem The Princess that Gilbert had previously dramatized in The Princess, staged at the Olympic Theatre in January 1870. Set in Castle Adamant where Princess Ida, the daughter of the crotchety King Gama, runs a women’s college, Princess Ida was a satire on women’s education, a controversial subject in 1847 when Queen’s College opened in London, and in 1870, the year after the establishment of Girton College, Cambridge. The only Gilbert and Sullivan three act opera, and the only one in blank verse, it contains some of Sullivan’s most operatic music but did not enjoy the lasting success of their previous works and was not revived in London during D’Oyly Carte’s management.
Collection
Accession number
S.2903-2015

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Record createdJanuary 29, 2016
Record URL
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