Image of Gallery in South Kensington
Request to view at the Prints & Drawings Study Room, level C , Case M, Shelf 115

Beautiful City - Room with Two Views

Design
2004 (made)
Artist/Maker
Place of origin

Annelies Planteydt (b. 1956) is a jewellery designer living and working in Kapelle, The Netherlands. She trained at the Vakschool Schoonhoven (1974-1978) and then at the Gerrit Rietveld Academy in Amsterdam (1978-1983), where she was taught by Onno Boekhoudt and visiting lecturer Giampaolo Babetto.

Her designs can be found in the collections of many cultural institutions including the Stedelijk Museum in Hertogenbosch, Het Stedelijk Museum in Amsterdam, Museum Boijmans van Beuningen in Rotterdam and Het Gemeentmuseum in The Hague. She has received awards for her work including the Friedrich Beckerpreis (Hanau, DE) and the Herbert Hofmann prize (Munchen, 2006).

This design, along with E.739-2015, is for a necklace (M.75-2007) designed by Annelies Planteydt that forms part of the Royal College of Art Visiting Artists Collection, now held in the V&A Metalwork Department. This collection was amassed by David Watkins while he was Professor of Goldsmithing, Silversmithing, Metalwork and Jewellery at the Royal College of Art (RCA). Every year from 1987 to 2006 he invited four jewellers and silversmiths from outside Britain to give a weeklong masterclass to students. During their time at the RCA each of the designers created an object for the RCA’s collection.

Planteydt’s necklace is a study, exploring new ideas for her work, rather than a completely finished piece. The work was conceived as an architectural floorplan for a room with two very different views, which can be seen when the necklace is laid out flat. Either held in the hand or worn on the body, the necklace is transformed into various abstract compositions.


Object details

Categories
Object type
TitleBeautiful City - Room with Two Views (assigned by artist)
Materials and techniques
Collage: paper coloured with yellow and metallic ink, pasted onto paper
Brief description
Design for a necklace by Annelies Planteydt, collage: paper coloured with yellow and metallic ink, pasted onto paper, RCA, London, 2004
Physical description
Collage design for a necklace. The necklace consists of thirteen rectangular white plaques arranged in a square. Attached at the bottom is a group of eight, copper-coloured, comma-shaped elements arranged in a circle; attached at the top are eight, yellow, rectangular elements arranged in a square.
Dimensions
  • Height: 59.4cm
  • Width: 42cm
Production typeDesign
Marks and inscriptions
'Annelies Planteydt / 9.6 04 RCA' (Signed and dated in pencil; bottom right)
Credit line
Given by Royal College of Art
Subject depicted
Summary
Annelies Planteydt (b. 1956) is a jewellery designer living and working in Kapelle, The Netherlands. She trained at the Vakschool Schoonhoven (1974-1978) and then at the Gerrit Rietveld Academy in Amsterdam (1978-1983), where she was taught by Onno Boekhoudt and visiting lecturer Giampaolo Babetto.

Her designs can be found in the collections of many cultural institutions including the Stedelijk Museum in Hertogenbosch, Het Stedelijk Museum in Amsterdam, Museum Boijmans van Beuningen in Rotterdam and Het Gemeentmuseum in The Hague. She has received awards for her work including the Friedrich Beckerpreis (Hanau, DE) and the Herbert Hofmann prize (Munchen, 2006).

This design, along with E.739-2015, is for a necklace (M.75-2007) designed by Annelies Planteydt that forms part of the Royal College of Art Visiting Artists Collection, now held in the V&A Metalwork Department. This collection was amassed by David Watkins while he was Professor of Goldsmithing, Silversmithing, Metalwork and Jewellery at the Royal College of Art (RCA). Every year from 1987 to 2006 he invited four jewellers and silversmiths from outside Britain to give a weeklong masterclass to students. During their time at the RCA each of the designers created an object for the RCA’s collection.

Planteydt’s necklace is a study, exploring new ideas for her work, rather than a completely finished piece. The work was conceived as an architectural floorplan for a room with two very different views, which can be seen when the necklace is laid out flat. Either held in the hand or worn on the body, the necklace is transformed into various abstract compositions.
Associated objects
Collection
Accession number
E.738-2015

About this object record

Explore the Collections contains over a million catalogue records, and over half a million images. It is a working database that includes information compiled over the life of the museum. Some of our records may contain offensive and discriminatory language, or reflect outdated ideas, practice and analysis. We are committed to addressing these issues, and to review and update our records accordingly.

You can write to us to suggest improvements to the record.

Suggest feedback

Record createdDecember 18, 2015
Record URL
Download as: JSON