Transfer No. 15155
Embroidery Transfer
early 20th century (made)
early 20th century (made)
Artist/Maker | |
Place of origin |
Deighton Brothers Ltd of Clapton, London, was established by textile designer William James Deighton in the mid-1800s. By 1870 he was the first commercial manufacture of embroidery transfers in England. His father, also William Deighton, was a surgeon and apothecary and had developed a heat-activated printing ink. The younger William Deighton modified the 'prick and pounce' method employed by tailors so that one could transfer inked patterns quickly and easily at home by using a domestic iron.
The early transfer designs were made in the following way: an idea was sketched in pencil before being worked up into a pattern. Using a specially invented perforating machine, the pattern was pricked through to three or four sheets of paper, which then acted as stencils. One of the stencils was taken a laid on tissue-weight paper. The special ink was forced through the stencil holes onto the tissue and allowed to dry. In most pre-1950s transfers, therefore, the apparently continuous lines are, in fact, comprised of a series of dots. After that date, developments allowed the use of a printing press to produce the patterns.
Deighton was involved in a legal dispute with rival Manchester-based designer William Briggs over who had invented the perforation technique for transfers. Briggs applied for a patent in 1874, but evidence shows Deighton was selling his transfers from 1870; at that time Briggs was using block printing rather than the perforating machine.
The early transfer designs were made in the following way: an idea was sketched in pencil before being worked up into a pattern. Using a specially invented perforating machine, the pattern was pricked through to three or four sheets of paper, which then acted as stencils. One of the stencils was taken a laid on tissue-weight paper. The special ink was forced through the stencil holes onto the tissue and allowed to dry. In most pre-1950s transfers, therefore, the apparently continuous lines are, in fact, comprised of a series of dots. After that date, developments allowed the use of a printing press to produce the patterns.
Deighton was involved in a legal dispute with rival Manchester-based designer William Briggs over who had invented the perforation technique for transfers. Briggs applied for a patent in 1874, but evidence shows Deighton was selling his transfers from 1870; at that time Briggs was using block printing rather than the perforating machine.
Object details
Categories | |
Object type | |
Title | Transfer No. 15155 (manufacturer's title) |
Materials and techniques | Heat-activated yellow printing ink on tissue-weight paper |
Brief description | Embroidery transfer by Deighton Brothers Ltd, transfer design no. 15155, probably for a table centre, heat-activated printing ink on tissue-weight paper, London, early 20th century |
Physical description | Transfer pattern, probably for a table centre, depicting carnations within a delicate scrollwork border. The pattern is printed in yellow heat-activated ink on tissue paper. |
Dimensions |
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Production type | Mass produced |
Marks and inscriptions |
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Credit line | Given by Anne Symons |
Subject depicted | |
Summary | Deighton Brothers Ltd of Clapton, London, was established by textile designer William James Deighton in the mid-1800s. By 1870 he was the first commercial manufacture of embroidery transfers in England. His father, also William Deighton, was a surgeon and apothecary and had developed a heat-activated printing ink. The younger William Deighton modified the 'prick and pounce' method employed by tailors so that one could transfer inked patterns quickly and easily at home by using a domestic iron. The early transfer designs were made in the following way: an idea was sketched in pencil before being worked up into a pattern. Using a specially invented perforating machine, the pattern was pricked through to three or four sheets of paper, which then acted as stencils. One of the stencils was taken a laid on tissue-weight paper. The special ink was forced through the stencil holes onto the tissue and allowed to dry. In most pre-1950s transfers, therefore, the apparently continuous lines are, in fact, comprised of a series of dots. After that date, developments allowed the use of a printing press to produce the patterns. Deighton was involved in a legal dispute with rival Manchester-based designer William Briggs over who had invented the perforation technique for transfers. Briggs applied for a patent in 1874, but evidence shows Deighton was selling his transfers from 1870; at that time Briggs was using block printing rather than the perforating machine. |
Collection | |
Accession number | E.223-2015 |
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Record created | June 5, 2015 |
Record URL |
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