Gaslight thumbnail 1
Gaslight thumbnail 2
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On display

Gaslight

Costume
1944 (made)
Artist/Maker
Place of origin

Costume worn by Ingrid Bergman in Gaslight, designed by Irene, 1944.

Gaslight was adapted from Patrick Hamilton’s successful stage play. Ingrid Bergman won her first Academy Award for Best Actress for her performance as a woman who is being driven slowly insane by her psychotic husband. The costumes were designed by Irene, who was known professionally by her first name. Irene started her career as a couturier in 1927 with her own business in Los Angeles, soon she was designing costumes for films. By the early 1940s, she was Head of the Costume Department at MGM (Metro-Goldwyn-Mayer) and designed costumes for many of MGM’s most successful and enduring films, including Meet Me in St. Louis (1944), The Postman Always Rings Twice (1945) and Fred Astaire and Ginger’s final film together, The Barclays of Broadway (1949).

This costume was part of the British Film Institute (BFI) costume collection, which the BFI developed for display at the Museum of the Moving Image. The Museum existed on the South Bank in London between 1988 and 1999. The collection was made up of costumes from British, European, American and Japanese films, covering the period from the silent film era to the mid-1990s. It contained a wealth of historic and significant film costumes, worn by major performers and designed by some of the 20th century’s most important film costume designers. The collection was transferred to the V&A in 2015.

Object details

Categories
Object type
Parts
This object consists of 2 parts.
(Some alternative part names are also shown below)
  • Film Costumes
  • Bodice
  • Film Costumes
  • Skirt
TitleGaslight (generic title)
Materials and techniques
Wool and cotton
Brief description
Costume worn by Ingrid Bergman in Gaslight, designed by Irene, 1944
Physical description
Costume worn by Ingrid Bergman in Gaslight consisting of a jacket and skirt in early 19th-century style.

S.1643:1-2015
Red wool waist-length jacket with white lace trimming at the collar, fastened with five buttons, the lower edge coming to a point at centre front.

S.1643:2-2015
Red floor-length wool skirt with drapes at hips forming a bustle at back, with a pleated edge at the hem.
Dimensions
  • Jacket, width, elbow to elbow, widest part width: 56cm
  • Jacket, collar to cuff, maximum length length: 67cm
  • Skirt, waist to hem, length maximum length: 127cm
  • Skirt, hip width, widest part, laid flat width: 47cm
Gallery label
(07/03/2022)
Ingrid Bergman won both an Oscar and a Golden Globe for her performance in Gaslight playing Paula, a woman convinced by her husband that she is losing her mind. The film was adapted from Patrick Hamilton’s 1938 play, which popularised the term ‘gaslighting’ to describe psychological manipulation. The film’s costume designer, known professionally as Irene, worked on over 35 films including Easter Parade and The Ziegfried Follies.

Credit line
Given by the British Film Institute
Summary
Costume worn by Ingrid Bergman in Gaslight, designed by Irene, 1944.

Gaslight was adapted from Patrick Hamilton’s successful stage play. Ingrid Bergman won her first Academy Award for Best Actress for her performance as a woman who is being driven slowly insane by her psychotic husband. The costumes were designed by Irene, who was known professionally by her first name. Irene started her career as a couturier in 1927 with her own business in Los Angeles, soon she was designing costumes for films. By the early 1940s, she was Head of the Costume Department at MGM (Metro-Goldwyn-Mayer) and designed costumes for many of MGM’s most successful and enduring films, including Meet Me in St. Louis (1944), The Postman Always Rings Twice (1945) and Fred Astaire and Ginger’s final film together, The Barclays of Broadway (1949).

This costume was part of the British Film Institute (BFI) costume collection, which the BFI developed for display at the Museum of the Moving Image. The Museum existed on the South Bank in London between 1988 and 1999. The collection was made up of costumes from British, European, American and Japanese films, covering the period from the silent film era to the mid-1990s. It contained a wealth of historic and significant film costumes, worn by major performers and designed by some of the 20th century’s most important film costume designers. The collection was transferred to the V&A in 2015.
Collection
Accession number
S.1643:1, 2-2015

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Record createdMay 29, 2015
Record URL
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