Armchair
ca. 1925 (designed), 1930 (made)
Artist/Maker | |
Place of origin |
Emile-Jacques Ruhlmann (1879-1933) was a furniture and interior designer based in Paris during the first third of the twentieth century. He never received any formal training in design or furniture making but was influenced by time spent at his father's painting and contracting firm during the 1900s. Although he had no practical skills (even his drawings had to be put to scale by another draughtsman), he became famous for attention to detail and exquisite craftsmanship. Ruhlmann sought inspiration in the neo-classical and revivalist trends in furniture from the late 18th and early 19th centuries. He once said, 'Indeed, most of my works are of classical inspiration. And I often happen to take my students to Versailles. Naturally it is not to incite them to copy antiques. One ought only to find inspiration in them, adapt them to our time.' The simple lines, rich materials and minimal ornament of this armchair illustrate Ruhlmann's modernised version of classical design where comfort, elegance and simplicity were foremost.
Object details
Category | |
Object type | |
Parts | This object consists of 2 parts.
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Materials and techniques | Stained pearwood with silver-plated brass feet, and covers of gold/beige satin |
Brief description | Stained pearwood, silver-plated brass feet, upholstered in gold / beige satin; French, 1930 designed and manufactured by Ruhlmann |
Physical description | Armchair made of stained pearwood with seat, back, sides and arms upholstered in dull yelow satin with seat cushion also in dull yellow satin; ovieform feet of silver plated brass |
Dimensions |
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Style | |
Gallery label |
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Summary | Emile-Jacques Ruhlmann (1879-1933) was a furniture and interior designer based in Paris during the first third of the twentieth century. He never received any formal training in design or furniture making but was influenced by time spent at his father's painting and contracting firm during the 1900s. Although he had no practical skills (even his drawings had to be put to scale by another draughtsman), he became famous for attention to detail and exquisite craftsmanship. Ruhlmann sought inspiration in the neo-classical and revivalist trends in furniture from the late 18th and early 19th centuries. He once said, 'Indeed, most of my works are of classical inspiration. And I often happen to take my students to Versailles. Naturally it is not to incite them to copy antiques. One ought only to find inspiration in them, adapt them to our time.' The simple lines, rich materials and minimal ornament of this armchair illustrate Ruhlmann's modernised version of classical design where comfort, elegance and simplicity were foremost. |
Collection | |
Accession number | CIRC.329:1&2-1967 |
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Record created | February 7, 2007 |
Record URL |
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