L'entre du cirque Fanny
Photograph
c.1932 (photographed)
c.1932 (photographed)
Artist/Maker | |
Place of origin |
Brassaï was born in 1899 as Gyula Halász in the Transylvanian town of Brassó. He grew up in Budapest and spent the early 1920s in Berlin, training as a painter and working as a journalist. He moved to Paris in 1924, where he stayed until his death in 1984. He took up photography in Paris initially to support his written journalism, though he soon committed himself to a solely photographic practice. Brassaï is most well-known for his images of Parisian life, featuring brothels, prostitutes, city streets, architecture and high society alike. His first book, ‘Paris by Night’, was published in 1933 and established his reputation as a serious photographer.
Some of Brassaï’s most iconic images depict the scandalous nightlife in bars and brothels, exposing the city’s debaucherous underbelly. Scenes of prostitution, sexual interactions and nudity are not uncommon and present an almost practical view of the working women. Brassaï also frequented dance halls, depicting performers, ethnic minorities and members of the LGBTQ community. Overall, the indiscriminate scope of Brassaï’s photographs present this previously unseen side of Paris alongside more traditional subject matter such as society functions and opera dancers. His ability to document a complete cross section of society provides an authentic glimpse into Parisian life in the 1930s.
Some of Brassaï’s most iconic images depict the scandalous nightlife in bars and brothels, exposing the city’s debaucherous underbelly. Scenes of prostitution, sexual interactions and nudity are not uncommon and present an almost practical view of the working women. Brassaï also frequented dance halls, depicting performers, ethnic minorities and members of the LGBTQ community. Overall, the indiscriminate scope of Brassaï’s photographs present this previously unseen side of Paris alongside more traditional subject matter such as society functions and opera dancers. His ability to document a complete cross section of society provides an authentic glimpse into Parisian life in the 1930s.
Object details
Categories | |
Object type | |
Title | L'entre du cirque Fanny (generic title) |
Materials and techniques | Gelatin silver print |
Brief description | Photograph by Brassaï 'L'entre du Cirque Fanny' [In front of Cirque Fanny], c.1932, gelatin silver print |
Physical description | Black and white photograph depicting a woman from behind in an open doorway with a curtain pulled aside overhead. Through the doorway, there is another female figure and a wall covering showing a flowers. The first woman is dressed in an embroidered white lace dress with thin dark straps and she is wearing a feathered headdress, white tights, dark socks and black shoes. |
Dimensions |
|
Styles | |
Marks and inscriptions | Verso:
Top centre, pencil: '22,5x29'
Top centre, stamped in purple ink: 'SUCCESSION / BRASSAÏ /ESTATE'
Top right, blue ink: 'PL. 1124.' [underlined]
Centre, stamped in purple ink: 'BRASSAÏ / 81, RUE DU FAUBg St-JACQUES / PARIS-XIVe PORT-ROYAL 23-41'
Centre, stamped in black ink: 'BRASSAÏ / 81, RUE DU FAUBrg St-JACQUES / PARIS XIVe / TÉLÉPH.: PORT-ROYAL 22-41'
Bottom centre, stamped in purple ink: '© COPYRIGHT by / BRASSAÏ / 81, Faubourg St-Jacques / PARIS 14eme Tél. 707.23.41' |
Credit line | Bequest of Gilberte Boyer Brassaï |
Object history | This object came to the museum as part of a bequest of 99 photographs by Brassaï from his widow, Madame Gilberte Boyer. |
Subjects depicted | |
Place depicted | |
Summary | Brassaï was born in 1899 as Gyula Halász in the Transylvanian town of Brassó. He grew up in Budapest and spent the early 1920s in Berlin, training as a painter and working as a journalist. He moved to Paris in 1924, where he stayed until his death in 1984. He took up photography in Paris initially to support his written journalism, though he soon committed himself to a solely photographic practice. Brassaï is most well-known for his images of Parisian life, featuring brothels, prostitutes, city streets, architecture and high society alike. His first book, ‘Paris by Night’, was published in 1933 and established his reputation as a serious photographer. Some of Brassaï’s most iconic images depict the scandalous nightlife in bars and brothels, exposing the city’s debaucherous underbelly. Scenes of prostitution, sexual interactions and nudity are not uncommon and present an almost practical view of the working women. Brassaï also frequented dance halls, depicting performers, ethnic minorities and members of the LGBTQ community. Overall, the indiscriminate scope of Brassaï’s photographs present this previously unseen side of Paris alongside more traditional subject matter such as society functions and opera dancers. His ability to document a complete cross section of society provides an authentic glimpse into Parisian life in the 1930s. |
Collection | |
Accession number | E.920-2014 |
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Record created | April 15, 2015 |
Record URL |
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