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Image of Gallery in South Kensington
On display at V&A South Kensington
Ceramics, Room 145

Vase

ca. 1890-1892 (made)
Artist/Maker
Place of origin

Auguste Delaherche (1857-1940) was born in Beauvais and trained at the École des Arts Décoratifs in Paris. He worked as a restorer of stained glass, a designer of religious jewellery and as director of the electroplating department at the Christofle company in Paris. After this very mixed experience, he made his first pots in salt glazed stoneware, inspired by folk traditions, at L'Italienne pottery, Goincourt. In 1887 he bought the workshop of Ernest Chaplet in rue Blomet, Paris and became a full time potter. Delaherche's experiments with high temperature glazes and different firing techniques provided him with an extensive range of colours and surface effects. In this he may have been influenced initially by Chaplet, already acknowledged as a master. Delaherche displayed a selection of his work at the Union Centrale des Arts Décoratifs, Paris, in 1887 to much acclaim.

Delaherche was awarded a gold medal at the international exhibition, Paris, 1889 and his wares, made in multiples, were very much in demand thereafter. In 1894 he left Paris for Armentières near Beauvais to work quietly in the country while sending work to sell in Paris and winning a gold medal there in the international exhibition, 1900. By 1904, like many of his contemporaries, he began working in porcelain as well as in stoneware, and dispensing with assistants, he concentrated solely on unique wares. In his later porcelains he specialised in openwork and extreme translucency


Object details

Categories
Object type
Materials and techniques
Stoneware, with a high-temperature <i>flammée</i> glaze
Brief description
Vase, stoneware with a high-temperature flammée glaze, made by Auguste Delaherche, Paris (Rue Blomet, Vaugirard), France, ca. 1890-1892
Physical description
Vase, with moulded decoration based on leaf forms; with a high temperature flammée glaze in purples, reds and greens
Dimensions
  • Weight: 11.83kg
  • Height: 66.5cm
  • Diameter: 30cm
Style
Marks and inscriptions
  • 'Auguste Delaherche' within a roundel, '6016' impressed (Impressed)
  • '6016' (Impressed)
  • 'Auguste Delaherche' within a roundel, and '6016' impressed
Object history
Bought from Auguste Delaherche, 1 Rue Halèvy, Paris, for 16 l.

Historical significance: Delaherche exhibited at the international exhibition, Chicago, 1893 and this vase shape is thought to have been an influential source for the American potter W.H.Grueby (see 1685-1900). Grueby is known to have admired the work of the French ceramicists he saw there.
Historical context
Another example of this shape size and glaze in Musée Dêpartmental de Beauvais; two examples sold through Drouot (Paris) Feb., 1994 in different sizes and colours.
Production
Paris (Rue Blomet, Vaugirard)
Summary
Auguste Delaherche (1857-1940) was born in Beauvais and trained at the École des Arts Décoratifs in Paris. He worked as a restorer of stained glass, a designer of religious jewellery and as director of the electroplating department at the Christofle company in Paris. After this very mixed experience, he made his first pots in salt glazed stoneware, inspired by folk traditions, at L'Italienne pottery, Goincourt. In 1887 he bought the workshop of Ernest Chaplet in rue Blomet, Paris and became a full time potter. Delaherche's experiments with high temperature glazes and different firing techniques provided him with an extensive range of colours and surface effects. In this he may have been influenced initially by Chaplet, already acknowledged as a master. Delaherche displayed a selection of his work at the Union Centrale des Arts Décoratifs, Paris, in 1887 to much acclaim.

Delaherche was awarded a gold medal at the international exhibition, Paris, 1889 and his wares, made in multiples, were very much in demand thereafter. In 1894 he left Paris for Armentières near Beauvais to work quietly in the country while sending work to sell in Paris and winning a gold medal there in the international exhibition, 1900. By 1904, like many of his contemporaries, he began working in porcelain as well as in stoneware, and dispensing with assistants, he concentrated solely on unique wares. In his later porcelains he specialised in openwork and extreme translucency
Bibliographic references
  • Liefkes,R & H.Young (eds): Masterpieces of World Ceramics V&A.M., 2008, p.123 (illus. and cover)
  • Greenhalgh, Paul (Ed.), Art Nouveau: 1890-1914 . London: V&A Publications, 2000
  • Jervis, SS (ed): Art &Design in Europe and America 1800-1900 V&A.M./Herbert Press, 1987, pp 154-55 (illus); gives further references.
Collection
Accession number
1613-1892

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Record createdFebruary 2, 2007
Record URL
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