Silk Programme
1868 (printed)
| Artist/Maker | |
| Place of origin |
Silk and satin playbills and programmes were commonly produced in the 18th and 19th centuries to mark special evenings at the theatre, often lavishly fringed and sometimes even illustrated with an engraved image. This luxurious programme was produced to mark the opening on 27 December 1886 of the Queen's Theatre and Opera House, in Snow Hill, Birmingham, owned by Andrew Melville.
The opening was clearly a splendid affair. Grand productions of English opera were fashionable in the mid-1880s and Balfe's The Bohemian Girl featured over 100 performers. The Liberal politician Joseph Chamberlain, a former mayer of Birnmingham who had represented a constituency in Birmingham since 1876, was a member of the audience, as stated on the playbill. The vogue for English opera did not last long. By 1904, when the theatre was run by Walter Melville, one of Andrew Melville's sons, it was re-named The Metropole Theatre and became famous for its presentation of sensational melodrama.
The opening was clearly a splendid affair. Grand productions of English opera were fashionable in the mid-1880s and Balfe's The Bohemian Girl featured over 100 performers. The Liberal politician Joseph Chamberlain, a former mayer of Birnmingham who had represented a constituency in Birmingham since 1876, was a member of the audience, as stated on the playbill. The vogue for English opera did not last long. By 1904, when the theatre was run by Walter Melville, one of Andrew Melville's sons, it was re-named The Metropole Theatre and became famous for its presentation of sensational melodrama.
Object details
| Category | |
| Object type | |
| Materials and techniques | Printed silk |
| Brief description | Silk programme for the opening night of the Queen's Theatre and Opera House, Birmingham, 27 December 1886, for Balfe's opera The Bohemian Girl. Printed by James Upton. |
| Physical description | Silk programme printed in blue typography on cream silk, the edges cut without hemming and fraying at top and bottom. Featuring a narrow blue decorative border with royal crest above, produced for 'The Opening Night of the Magnificent New Theatre', 'The Bohemian Girl', at the Queen's Theatre and Opera House, Snow Hill, Birmingham, 27 December 1886, in the presence of the Right Honourable Joseph Chamberlain. Featuring a variety of typeface, a very decorative ornate typeface for the words 'THE QUEEN'S', and a curled, darker-coloured blue typeface for 'THE BOHEMIAN GIRL'. 'THE OPENING NIGHT' and 'JOSEPH CHAMBERLAIN' feature in capitals, with a note that Chamberlain has taken a private box for himself and his family for the opening performance. |
| Dimensions |
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| Marks and inscriptions |
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| Credit line | Given by Gerald Morice |
| Association | |
| Summary | Silk and satin playbills and programmes were commonly produced in the 18th and 19th centuries to mark special evenings at the theatre, often lavishly fringed and sometimes even illustrated with an engraved image. This luxurious programme was produced to mark the opening on 27 December 1886 of the Queen's Theatre and Opera House, in Snow Hill, Birmingham, owned by Andrew Melville. The opening was clearly a splendid affair. Grand productions of English opera were fashionable in the mid-1880s and Balfe's The Bohemian Girl featured over 100 performers. The Liberal politician Joseph Chamberlain, a former mayer of Birnmingham who had represented a constituency in Birmingham since 1876, was a member of the audience, as stated on the playbill. The vogue for English opera did not last long. By 1904, when the theatre was run by Walter Melville, one of Andrew Melville's sons, it was re-named The Metropole Theatre and became famous for its presentation of sensational melodrama. |
| Other number | S.409-2006 - Cancelled number |
| Collection | |
| Accession number | S.12-1994 |
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| Record created | January 17, 2007 |
| Record URL |
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