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Image of Gallery in South Kensington
Request to view at the Prints & Drawings Study Room, level F , Case X, Shelf 1027, Box B

Congregation at Pecket Well harvest festival

Photograph
1978 (photographed)
Artist/Maker
Place of origin

Paul Barker, ex-editor of pioneering social sciences and current affairs weekly New Society, gave the V&A a collection of 49 photographs originally commissioned by the magazine which had formed the exhibition 'The Other Britain' to commemorate the twentieth anniversary of New Society in 1982. The exhibition, and the accompanying collection of essays first published in New Society, sought to focus on the regional, working class and ethic Britain. Martin Parr was an up and coming photographer in the 1970s, and focussed on recording Britain with pathos and humour, publishing his documentary work both in the press and as fine art. In the context of images of council houses, pubs and prisons, this image highlights provincial Britain. Parr chooses an ironic viewpoint from which to frame the figures - a 'congregation' of four people, a 'harvest festival' in an empty church with no produce in sight.


Object details

Category
Object type
TitleCongregation at Pecket Well harvest festival (popular title)
Materials and techniques
Gelatin-silver print
Brief description
Congregation at Pecket Well harvest festival, West Yorkshire, gelatin-silver print by Martin Parr, 1978, part of the New Society/The Other Britain collection
Physical description
Black and white photograph of four well dressed figures against a blank wall, in a chuch. A balding man in the centre holds out his arm, his hand near the front in the centre of the image.
Dimensions
  • Image height: 378mm
  • Image width: 253mm
Credit line
Given by Paul Barker
Object history
Part of the New Society/The Other Britain collection.
Place depicted
Summary
Paul Barker, ex-editor of pioneering social sciences and current affairs weekly New Society, gave the V&A a collection of 49 photographs originally commissioned by the magazine which had formed the exhibition 'The Other Britain' to commemorate the twentieth anniversary of New Society in 1982. The exhibition, and the accompanying collection of essays first published in New Society, sought to focus on the regional, working class and ethic Britain. Martin Parr was an up and coming photographer in the 1970s, and focussed on recording Britain with pathos and humour, publishing his documentary work both in the press and as fine art. In the context of images of council houses, pubs and prisons, this image highlights provincial Britain. Parr chooses an ironic viewpoint from which to frame the figures - a 'congregation' of four people, a 'harvest festival' in an empty church with no produce in sight.
Bibliographic references
  • Illustrated in Parr/Val Williams retrospective p.117.
  • Apollo Magazine, February 2007
  • Published in New Society 5.1.1978 in the feature 'Arts in Society: The face in the picture' by Paul Barker, pp.24-25, a review of Martin Parr's exhibition at the Photographers' Gallery of Hebdon bridge photographs
Collection
Accession number
E.83-2006

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Record createdJanuary 15, 2007
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