Not on display

Theatre Royal Haymarket ticket

Ticket
1860 (printed)
Artist/Maker
Place of origin

Ticket for admittance to the Pit at the Benefit performance in aid of the London Master Bakers' Pension Society and Alms-House Fund, Theatre Royal Haymarket, 10 May 1860.

This two-shilling ticket gave entry to the Pit (an area of the stalls) but to no particular seat. It bears the check-taker’s punch-hole that prevented re-use.

Card and paper tickets were introduced for Benefit nights so that those promoting events could sell them in advance, unlike the metal checks reused in-house by theatres daily. This was for an evening featuring the lavish new play by H.J. Byron, Fairy Romance, originally licensed as The Pilgrim of Love, an Oriental Fairy Tale in Rhyme, and the two preceding pieces or ‘curtain-raisers’ - Edward Falconer’s The Family Secret and Tom Taylor's The Rife and How to Use It, both starring John Baldwin Buckstone (1802-1879), the actor, author and lessee of the Haymarket from 1853 to 1877 who made the Haymarket the premiere comedy theatre of London.

The London Master Bakers’ Benevolent Institution was founded on 13 December 1832, originally to provide pensions for the widows of millers and bakers, and those who struggled to support themselves after retiring from the baking industry. After August 1857, when the foundation stone was laid, the Institution built the Bakers’ Almshouses in Lee Bridge Road, Walthamstow, an Italianate three-sided building with a courtyard designed by the architect Thomas Edward Knightley (1823-1905). Completed in 1866 and containing fifty-two residencies, it was described as ‘one of the grand alms-houses of north east London’. The building survives today where its original purpose can be seen from a carving of a young boy gathering sheaves of corn. A nearby pub, The Bakers Alms, which was closed in 2010, took its name from the alms-houses. The Benefit was clearly just one of several money-raising enterprises by the London Master Bakers’ Benevolent Institution.

Object details

Categories
Object type
TitleTheatre Royal Haymarket ticket (generic title)
Materials and techniques
Letterpress on blue card
Brief description
Ticket for pit admittance to the Benefit performance in aid of the London Master Bakers' Pension Society and Alms-House Fund, Theatre Royal Haymarket, 10 May 1860
Physical description
Ticket for pit admittance to the Benefit performance in aid of the London Master Bakers' Pension Society and Alms-House Fund, Theatre Royal Haymarket, 10 May 1860. The ticket is blue and rectangular with the theatre's name printed in an arc across the top, and a hole roughly punched towards the centre.
Dimensions
  • Height: 6cm (approximately)
  • Width: 8.8cm (approximately)
Marks and inscriptions
'THEATRE ROYAL HAYMARKET. / Admit the bearer [to] [t]he Pit / ON THURSDAY MAY the 10th, 1860, / For the Benefit of the / LONDON MASTER BAKERS' PENSION SOCIETY & ALMS-HOUSE FUND. / Managing Committee: / Messrs. Dosell, Gilruth, Melhuish, Nevill, Nichol, Stiles and Thompson. / Secretaries: Messrs. Fitch and James. / TICKET, TWO SHILLINGS. / Tickets only, will Benefit those Charities, the Committee having no interest in the / moneys taken at the Doors.'
Credit line
Given by Denise Sayers
Summary
Ticket for admittance to the Pit at the Benefit performance in aid of the London Master Bakers' Pension Society and Alms-House Fund, Theatre Royal Haymarket, 10 May 1860.

This two-shilling ticket gave entry to the Pit (an area of the stalls) but to no particular seat. It bears the check-taker’s punch-hole that prevented re-use.

Card and paper tickets were introduced for Benefit nights so that those promoting events could sell them in advance, unlike the metal checks reused in-house by theatres daily. This was for an evening featuring the lavish new play by H.J. Byron, Fairy Romance, originally licensed as The Pilgrim of Love, an Oriental Fairy Tale in Rhyme, and the two preceding pieces or ‘curtain-raisers’ - Edward Falconer’s The Family Secret and Tom Taylor's The Rife and How to Use It, both starring John Baldwin Buckstone (1802-1879), the actor, author and lessee of the Haymarket from 1853 to 1877 who made the Haymarket the premiere comedy theatre of London.

The London Master Bakers’ Benevolent Institution was founded on 13 December 1832, originally to provide pensions for the widows of millers and bakers, and those who struggled to support themselves after retiring from the baking industry. After August 1857, when the foundation stone was laid, the Institution built the Bakers’ Almshouses in Lee Bridge Road, Walthamstow, an Italianate three-sided building with a courtyard designed by the architect Thomas Edward Knightley (1823-1905). Completed in 1866 and containing fifty-two residencies, it was described as ‘one of the grand alms-houses of north east London’. The building survives today where its original purpose can be seen from a carving of a young boy gathering sheaves of corn. A nearby pub, The Bakers Alms, which was closed in 2010, took its name from the alms-houses. The Benefit was clearly just one of several money-raising enterprises by the London Master Bakers’ Benevolent Institution.
Collection
Accession number
S.413-2015

About this object record

Explore the Collections contains over a million catalogue records, and over half a million images. It is a working database that includes information compiled over the life of the museum. Some of our records may contain offensive and discriminatory language, or reflect outdated ideas, practice and analysis. We are committed to addressing these issues, and to review and update our records accordingly.

You can write to us to suggest improvements to the record.

Suggest feedback

Record createdFebruary 6, 2015
Record URL
Download as: JSON