The portfolio For John Constable was published by the Bernard Jacobson Gallery in 1976 in an edition of 100, to coincide with the Tate’s major Constable exhibition that year. Bernard Jacobson commissioned 19 artists to contribute a print to the portfolio. Several of the selected artists chose to respond directly to individual works (or series of works) by Constable in the V&A collection. Robyn Denny’s print is characteristically more opaque and conceptual. He incorporates a postcard image of one of his own paintings, and explores ideas of framing. The characteristic structure of his work suggests openings, thresholds and framed vistas, and is reminiscent of the device of the two trees which ‘frame’ the view of the cathedral in Salisbury Cathedral from the Bishop’s Grounds (V&A FA.33 [O]) and of the way the viewer is enticed into The Cornfield by a bright lane and field bordered by dark trees. Like Constable, Denny was also interested in using colour to express light and as an indicator of time of day.