On display

The Mousetrap

Silk Playbill
1958 (printed)
Artist/Maker
Place of origin

Silk and satin theatre playbills and programmes were produced from the 18th century onwards, to commemorate special evenings at the theatre. Most theatres in the 19th century would have had silk programmes to mark grand openings or milestone performances. By the end of the First World War, however, the practice had generally died out, only being revived very occasionally, more often at London's opera houses than any other theatres.

This silk playbill was produced to mark the 2239th performance of The Mousetrap on 12 April 1958, five and a half years into its run. A cream silk programme had been produced on 22 April 1955 to mark the 1000th performance, but although both occasions were seen as important then, no-one would have imagined that the production would still be running over half a century later.

Object details

Categories
Object type
TitleThe Mousetrap (generic title)
Materials and techniques
Printed silk
Brief description
Silk playbill produced for the 2239th performance of Agatha Christie's play The Mousetrap, Ambassadors Theatre, 12 April 1958, when it became the longest running play in the history of the British theatre.
Physical description
Silk programme on scarlet silk, printed in black typograph, and fringed along each edge with a scarlet silk fringe. Produced for the 2239th performance of The Mousetrap at the Ambassadors Theatre, 12 April 1958, when it became the longest running play in the history of the British theatre. Featuring the name of the producer, Peter Saunders, and the names of the actors: Mary Law as Mollie Ralston, William Abney as Giles Ralston, Geoffrey Colvile as Christopher Wren, Mysie Monte as Mrs Boyle, David Raven as Major Metcalf, Joan Drummond as Miss Casewell, Arthur Brough as Mr Paravicini, and Derek Blomfield as Detective Sergeant Trotter. Decor was by Roger Furse. The theatre staff included Verity Hudson, General Manager; A. Huntly Gordon, Company and Stage Manager; and Daniel Tree, Assistant Stage Manager.
Dimensions
  • Including fringe height: 32.5cm
  • Including fringe width: 24.2cm
  • Of fringe depth: 3.4cm
Gallery label
(2024)
In the 19th century silk playbills and programmes were frequently produced as souvenirs of special theatrical occasions. The practice continued into the 20th century to commemorate gala performances, the opening of new venues or special anniversaries. The 2239th performance seems a strange number to celebrate but this performance made Agatha Christie's The Mousetrap the longest running play in the West End.
(March 2014)
Souvenir programmes function as a reminder of a show and an indication of the show’s popularity and perceived importance within its contemporary context.

Special editions mark galas and royal performances, anniversaries, tributes and record-breaking runs. The 2239th performance of The Mousetrap, for instance, made it the longest-running show in the West End.

Credit line
Given by Muriel Martin-Harvey
Object history
The play originally opened at the Ambassador's Theatre, 25 November 1952.
Summary
Silk and satin theatre playbills and programmes were produced from the 18th century onwards, to commemorate special evenings at the theatre. Most theatres in the 19th century would have had silk programmes to mark grand openings or milestone performances. By the end of the First World War, however, the practice had generally died out, only being revived very occasionally, more often at London's opera houses than any other theatres.

This silk playbill was produced to mark the 2239th performance of The Mousetrap on 12 April 1958, five and a half years into its run. A cream silk programme had been produced on 22 April 1955 to mark the 1000th performance, but although both occasions were seen as important then, no-one would have imagined that the production would still be running over half a century later.
Associated objects
Collection
Accession number
S.401-2006

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Record createdDecember 28, 2006
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