Hamlet
Drawing
ca. 1987 (designed)
ca. 1987 (designed)
| Artist/Maker | |
| Place of origin |
Costume design by Voytek for the 1st Player in Rosencrantz and Guildenstern are Dead. This production of Rosencrantz and Guildenstern are Dead by Tom Stoppard was directed by Brian de Salvo and performed by the Abbey Theatre Company at the Abbey Theatre, Dublin in April 1987.
Dubbed Voytek by George Devine, Wojciech Roman Pawel Jerzy Szendzikowski (1925-2014), was known for his distinctive designs for the stage, theatre and film. Drawing his elaborate designs from in depth analysis of each script or screenplay.
Winning the Military Cross for his role in the Second World War, Voytek transferring first to Italy and then to Scotland after the end of the war where he enrolled at the Dundee Art Collage. In 1947 he moved to London, becoming a student of stage design at the Old Vic Theatre School. His career as a stage set and costume designer began with the Nottingham Playhouse whist his work on TV drama began with ABC Television and on film with Roman Polanski’s Cul-de-Sac.
His theatrical works concentrated on major regional theatre and touring companies including the Royal Shakespeare Company, Nottingham Playhouse, Birmingham Repertory Theatre and Shared Experience; he was head of design at the Liverpool Playhouse from 1981-1982.
The collection this design is from also contains working drawings, model pieces, photograph, production notes as well as press cuttings and programmes relating to Voytek’s career as a production designer for the stage, television and film.
Dubbed Voytek by George Devine, Wojciech Roman Pawel Jerzy Szendzikowski (1925-2014), was known for his distinctive designs for the stage, theatre and film. Drawing his elaborate designs from in depth analysis of each script or screenplay.
Winning the Military Cross for his role in the Second World War, Voytek transferring first to Italy and then to Scotland after the end of the war where he enrolled at the Dundee Art Collage. In 1947 he moved to London, becoming a student of stage design at the Old Vic Theatre School. His career as a stage set and costume designer began with the Nottingham Playhouse whist his work on TV drama began with ABC Television and on film with Roman Polanski’s Cul-de-Sac.
His theatrical works concentrated on major regional theatre and touring companies including the Royal Shakespeare Company, Nottingham Playhouse, Birmingham Repertory Theatre and Shared Experience; he was head of design at the Liverpool Playhouse from 1981-1982.
The collection this design is from also contains working drawings, model pieces, photograph, production notes as well as press cuttings and programmes relating to Voytek’s career as a production designer for the stage, television and film.
Object details
| Categories | |
| Object type | |
| Title | Hamlet (assigned by artist) |
| Materials and techniques | pencil on paper |
| Brief description | Costume design by Voytek for the 1st Player in 'Rosencrantz and Guildenstern are Dead' as performed at the Abbey Theatre, Dublin in April 1987 |
| Physical description | Costume design by Voytek for the 1st Player in Rosencrantz and Guildenstern are Dead. Soft pencil sketching showing a full length, profile image of a male figure. He is wearing top hat, and a floor length tattered coat with a wide collar and cuffs, worn over doublet and hose. He is holding up a mirror in his left hand, and is grasping a rough staff in his right hand. |
| Dimensions |
|
| Marks and inscriptions | '1st PLAYER' (Hadnwritten annotation in pencil left hand side.) |
| Credit line | Given by the artist |
| Literary reference | Rosencrantz and Guildenstern are Dead |
| Summary | Costume design by Voytek for the 1st Player in Rosencrantz and Guildenstern are Dead. This production of Rosencrantz and Guildenstern are Dead by Tom Stoppard was directed by Brian de Salvo and performed by the Abbey Theatre Company at the Abbey Theatre, Dublin in April 1987. Dubbed Voytek by George Devine, Wojciech Roman Pawel Jerzy Szendzikowski (1925-2014), was known for his distinctive designs for the stage, theatre and film. Drawing his elaborate designs from in depth analysis of each script or screenplay. Winning the Military Cross for his role in the Second World War, Voytek transferring first to Italy and then to Scotland after the end of the war where he enrolled at the Dundee Art Collage. In 1947 he moved to London, becoming a student of stage design at the Old Vic Theatre School. His career as a stage set and costume designer began with the Nottingham Playhouse whist his work on TV drama began with ABC Television and on film with Roman Polanski’s Cul-de-Sac. His theatrical works concentrated on major regional theatre and touring companies including the Royal Shakespeare Company, Nottingham Playhouse, Birmingham Repertory Theatre and Shared Experience; he was head of design at the Liverpool Playhouse from 1981-1982. The collection this design is from also contains working drawings, model pieces, photograph, production notes as well as press cuttings and programmes relating to Voytek’s career as a production designer for the stage, television and film. |
| Other number | THM/153 - Archive number |
| Collection | |
| Accession number | S.2070-1994 |
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| Record created | October 3, 2014 |
| Record URL |
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