Not currently on display at the V&A

Jenny Lind

Print on Silk
1850 (engraved)
Artist/Maker
Place of origin

This portrait on silk was produced as a souvenir of the Swedish opera singer Jenny Lind (1820-1887) who took London by storm after her first appearance at Her Majesty's Opera House on 4 May 1847 as Alice in Meyerbeer's opera Robert Il Diavolo. Queen Victoria attended that performance and wrote in her journal that Jenny Lind was: 'absolutely perfection' and 'a complete triumph.' 'She has a most exquisite, powerful, and really quite peculiar voice, so round soft and flexible and her acting is charming and touching and very natural. Her appearance was very ladylike and sweet and though she is not beautiful, she has a fine tall figure, is very graceful, has fine blue eyes and fine fair hair. The storm of applause when she first appeared, and during the singing of her first air, was tremendous. Her singing of 'Quand je quittais la Normandie' was charming and elicited two encores. Her acting throughout was truly touching and heart thrilling. At the conclusion of the Opera Jenny Lind was called before the curtain three times being received with cheers and waving of handkerchiefs.'

Jenny Lind trained in Stockholm and Paris and made her début in 1844 in Berlin, performing in Germany and Austria before making her London début. She became such a phenomenon in London that her portrait was reproduced on all manner of items, from snuff boxes and matchboxes to soap and candle snuffers. The contemporary song' Jenny Lind Mania' celebrated the craze for her, starting: 'Oh! Is there not a pretty fuss, In London all around, About the Swedish Nightingale, The talk of London town, Each square and street as through you pass, Aloud its praises ring, About this pretty singing bird, The famous Jenny Lind.'

This print was engraved from a portrait by the contemporary artist H. Gubbins and produced by George Baxter (1804-1867) who was granted a patent in 1835 for his 'Baxter Prints', a method of printing to produce coloured steel plate, copper plate and other impressions, mixing intaglio and relief printing processes. His original patent ran for fourteen years, after which it was renewed in 1849 for a further five years.



Object details

Category
Object type
TitleJenny Lind (assigned by artist)
Materials and techniques
Printed silk
Brief description
Portrait of the singer Jenny Lind (1820-1887). Baxter print, printed & published on cream silk by George Baxter from a painting by H. Gubbins. Entered at Stationer's Hall 15 November 1850
Physical description
Engraved black and white portrait of Jenny Lind, printed on cream silk with upper and lower raw edges and selvedges left and right. Jenny Lind is shown standing in the open air between two clumps of grasses and flowers, looking to her right, wearing a crinoline with an off-the-shoulder shawl bodice. She holds a handkerchief in her left hand and has her right hand raised.
Dimensions
  • Whole object height: 23.2cm (Note: maximum height)
Marks and inscriptions
  • On the lower left corner of the image is printed in black: 'BAXTER'S PATENT OIL PRINTING 11 NORTHAMPTON SQUARE' and under the image in the plate margin, printed in black: 'JENNY LIND. Engraved Printed & Published by G. Baxter, Patentee, XI Northampton Square, from a Painting by H. Gubbins (Entered at Stationer's Hall) November 15th 1850'
  • Transliteration
Credit line
Acquired with the support of the Friends of the V&A
Object history
This print was produced as a souvenir of the Swedish singer Jenny Lind who took London by storm after her first appearance at Her Majesty's Opera House on 4 May 1847 as Alice in Giacomo Meyerbeer's 1831 opera Roberto Il Diavolo, the Italian version of Robert Le Diable.

Association
Summary
This portrait on silk was produced as a souvenir of the Swedish opera singer Jenny Lind (1820-1887) who took London by storm after her first appearance at Her Majesty's Opera House on 4 May 1847 as Alice in Meyerbeer's opera Robert Il Diavolo. Queen Victoria attended that performance and wrote in her journal that Jenny Lind was: 'absolutely perfection' and 'a complete triumph.' 'She has a most exquisite, powerful, and really quite peculiar voice, so round soft and flexible and her acting is charming and touching and very natural. Her appearance was very ladylike and sweet and though she is not beautiful, she has a fine tall figure, is very graceful, has fine blue eyes and fine fair hair. The storm of applause when she first appeared, and during the singing of her first air, was tremendous. Her singing of 'Quand je quittais la Normandie' was charming and elicited two encores. Her acting throughout was truly touching and heart thrilling. At the conclusion of the Opera Jenny Lind was called before the curtain three times being received with cheers and waving of handkerchiefs.'

Jenny Lind trained in Stockholm and Paris and made her début in 1844 in Berlin, performing in Germany and Austria before making her London début. She became such a phenomenon in London that her portrait was reproduced on all manner of items, from snuff boxes and matchboxes to soap and candle snuffers. The contemporary song' Jenny Lind Mania' celebrated the craze for her, starting: 'Oh! Is there not a pretty fuss, In London all around, About the Swedish Nightingale, The talk of London town, Each square and street as through you pass, Aloud its praises ring, About this pretty singing bird, The famous Jenny Lind.'

This print was engraved from a portrait by the contemporary artist H. Gubbins and produced by George Baxter (1804-1867) who was granted a patent in 1835 for his 'Baxter Prints', a method of printing to produce coloured steel plate, copper plate and other impressions, mixing intaglio and relief printing processes. His original patent ran for fourteen years, after which it was renewed in 1849 for a further five years.



Bibliographic reference
Collection
Accession number
S.1667-2014

About this object record

Explore the Collections contains over a million catalogue records, and over half a million images. It is a working database that includes information compiled over the life of the museum. Some of our records may contain offensive and discriminatory language, or reflect outdated ideas, practice and analysis. We are committed to addressing these issues, and to review and update our records accordingly.

You can write to us to suggest improvements to the record.

Suggest feedback

Record createdSeptember 18, 2014
Record URL
Download as: JSONIIIF Manifest