Gallery of the Old Bedford
Print
ca.1910 (made)
ca.1910 (made)
Artist/Maker | |
Place of origin |
Etching by Walter Sickert of the Gallery of the Old Bedford Music Hall, Camden, ca. 1910, signed on the mount.
Artist Walter Sickert (1860-1942) was fascinated by the music hall. He spent much of his career in the Camden area of London and the Bedford Music Hall there became a frequent subject of his paintings, drawings and prints. The Bedford, which opened in 1861, was a popular place of entertainment where a host of stars performed, including 'Queen of the Halls' Marie Lloyd. The building was demolished in 1898 and replaced by a new, larger, Bedford with improved sightlines and electric lighting. Sickert painted and drew both theatres, often focusing on small sections of the auditorium. One view of the Old Bedford's gallery-goers, first painted in the mid 1890s, was reworked again and again, appearing in oil paintings, drawings, etchings and magazine illustrations. It shows a group of soberly-dressed men, who gaze down from 'the gods' on the right hand side of the composition and are reflected in a large mirror behind the ornamental plasterwork on the left. This signed etching, which has been dated to a series made around 1910, reverses the image, putting the audience on the left, and omits the reflections in the mirror.
Artist Walter Sickert (1860-1942) was fascinated by the music hall. He spent much of his career in the Camden area of London and the Bedford Music Hall there became a frequent subject of his paintings, drawings and prints. The Bedford, which opened in 1861, was a popular place of entertainment where a host of stars performed, including 'Queen of the Halls' Marie Lloyd. The building was demolished in 1898 and replaced by a new, larger, Bedford with improved sightlines and electric lighting. Sickert painted and drew both theatres, often focusing on small sections of the auditorium. One view of the Old Bedford's gallery-goers, first painted in the mid 1890s, was reworked again and again, appearing in oil paintings, drawings, etchings and magazine illustrations. It shows a group of soberly-dressed men, who gaze down from 'the gods' on the right hand side of the composition and are reflected in a large mirror behind the ornamental plasterwork on the left. This signed etching, which has been dated to a series made around 1910, reverses the image, putting the audience on the left, and omits the reflections in the mirror.
Object details
Categories | |
Object type | |
Title | Gallery of the Old Bedford (assigned by artist) |
Materials and techniques | Etching |
Brief description | Etching by Walter Sickert of the Gallery of the Old Bedford Music Hall, ca. 1910, signed on the mount |
Physical description | Etching showing a section of the gallery at a music hall with members of the audience crowded together, left, and part of the ornamentation, with cherub and lyre, right. Mounted, with the artist's signature and copy number. |
Dimensions |
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Copy number | Number 39 of 50 |
Marks and inscriptions |
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Object history | A label on the reverse of the mount bears the logo and address of William Weston Gallery Ltd., 7 Royal Arcade, Albemarle Street, London, W1X 3HD. |
Place depicted | |
Summary | Etching by Walter Sickert of the Gallery of the Old Bedford Music Hall, Camden, ca. 1910, signed on the mount. Artist Walter Sickert (1860-1942) was fascinated by the music hall. He spent much of his career in the Camden area of London and the Bedford Music Hall there became a frequent subject of his paintings, drawings and prints. The Bedford, which opened in 1861, was a popular place of entertainment where a host of stars performed, including 'Queen of the Halls' Marie Lloyd. The building was demolished in 1898 and replaced by a new, larger, Bedford with improved sightlines and electric lighting. Sickert painted and drew both theatres, often focusing on small sections of the auditorium. One view of the Old Bedford's gallery-goers, first painted in the mid 1890s, was reworked again and again, appearing in oil paintings, drawings, etchings and magazine illustrations. It shows a group of soberly-dressed men, who gaze down from 'the gods' on the right hand side of the composition and are reflected in a large mirror behind the ornamental plasterwork on the left. This signed etching, which has been dated to a series made around 1910, reverses the image, putting the audience on the left, and omits the reflections in the mirror. |
Collection | |
Accession number | S.81-2014 |
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Record created | September 11, 2014 |
Record URL |
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