Not on display

Gallery of the Old Bedford

Print
ca.1910 (made)
Artist/Maker
Place of origin

Etching by Walter Sickert of the Gallery of the Old Bedford Music Hall, Camden, ca. 1910, signed on the mount.

Artist Walter Sickert (1860-1942) was fascinated by the music hall. He spent much of his career in the Camden area of London and the Bedford Music Hall there became a frequent subject of his paintings, drawings and prints. The Bedford, which opened in 1861, was a popular place of entertainment where a host of stars performed, including 'Queen of the Halls' Marie Lloyd. The building was demolished in 1898 and replaced by a new, larger, Bedford with improved sightlines and electric lighting. Sickert painted and drew both theatres, often focusing on small sections of the auditorium. One view of the Old Bedford's gallery-goers, first painted in the mid 1890s, was reworked again and again, appearing in oil paintings, drawings, etchings and magazine illustrations. It shows a group of soberly-dressed men, who gaze down from 'the gods' on the right hand side of the composition and are reflected in a large mirror behind the ornamental plasterwork on the left. This signed etching, which has been dated to a series made around 1910, reverses the image, putting the audience on the left, and omits the reflections in the mirror.


Object details

Categories
Object type
TitleGallery of the Old Bedford (assigned by artist)
Materials and techniques
Etching
Brief description
Etching by Walter Sickert of the Gallery of the Old Bedford Music Hall, ca. 1910, signed on the mount
Physical description
Etching showing a section of the gallery at a music hall with members of the audience crowded together, left, and part of the ornamentation, with cherub and lyre, right. Mounted, with the artist's signature and copy number.
Dimensions
  • Height: 27.5cm (paper)
  • Width: 19.5cm (paper)
  • Height: 11cm (etching)
  • Width: 8.5cm (etching)
  • Height: 41.6cm (mount)
  • Width: 29.5cm (mount)
Copy number
Number 39 of 50
Marks and inscriptions
  • 'No.39 Limited to 50 W. Sickert'

    Note
    artist's signature and copy number, in mount

  • 'CUMBERLAND MARKET PRESS'

    Note
    Stamp, lower left hand corner of paper, beneath mount

  • '18/767'

    Note
    Inscribed in pencil, lower left hand corne of paper, beneath mount

  • 'Artist: WALTER RICHARD SICKERT (1860- / 1942) / Title: The Old Bedford (Small Plate) / Original etching. 1906. Signed in / ink at bottom of the sheet and inscrib- / ed 'No.39 Limited to 50'. Ref: Yale 47 / only state; V&A List 13. With the / stamp of the Cumberland Market Press. / On cream/tan textured wove paper, trim- / med at the sides and folded at the / bottom 3" from the image. Lacking the /end of Sickert's signature. With 2"-4½" / margins. / Stock No: 5847/1'

    Note
    Typewritten note on label printed with the logo and address of William Weston Gallery Ltd, reverse of mount

Object history
A label on the reverse of the mount bears the logo and address of William Weston Gallery Ltd., 7 Royal Arcade, Albemarle Street, London, W1X 3HD.
Place depicted
Summary
Etching by Walter Sickert of the Gallery of the Old Bedford Music Hall, Camden, ca. 1910, signed on the mount.

Artist Walter Sickert (1860-1942) was fascinated by the music hall. He spent much of his career in the Camden area of London and the Bedford Music Hall there became a frequent subject of his paintings, drawings and prints. The Bedford, which opened in 1861, was a popular place of entertainment where a host of stars performed, including 'Queen of the Halls' Marie Lloyd. The building was demolished in 1898 and replaced by a new, larger, Bedford with improved sightlines and electric lighting. Sickert painted and drew both theatres, often focusing on small sections of the auditorium. One view of the Old Bedford's gallery-goers, first painted in the mid 1890s, was reworked again and again, appearing in oil paintings, drawings, etchings and magazine illustrations. It shows a group of soberly-dressed men, who gaze down from 'the gods' on the right hand side of the composition and are reflected in a large mirror behind the ornamental plasterwork on the left. This signed etching, which has been dated to a series made around 1910, reverses the image, putting the audience on the left, and omits the reflections in the mirror.


Collection
Accession number
S.81-2014

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Record createdSeptember 11, 2014
Record URL
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