Geraldine Farrar (1882-1969) as Cio-Cio-San in Puccinis's opera Madam Butterfly thumbnail 1
Geraldine Farrar (1882-1969) as Cio-Cio-San in Puccinis's opera Madam Butterfly thumbnail 2
Not on display

Geraldine Farrar (1882-1969) as Cio-Cio-San in Puccinis's opera Madam Butterfly

Figurine
1982 (manufactured)
Artist/Maker
Place of origin

The American soprano Geraldine Farrar, born in 1882 in Melrose, Massacusetts, studied music in Boston from the age of 5 and trained in New York and Paris with the American soprano Emma Thursby, and in Berlin with the Italian baritone Francesco Graziani before making a sensational debut in 1901 at the Berlin Hofoper as Marguerite in Gunoud's Faust. She worked with the Monte Carlo Opera, and in 1906 made her debut as the New York Metropolitan Opera in Romeo et Juliette. She appeared in Metropolitan Opera's original production of Giacomo Puccini's Madam Butterfly in 1907 and remained a member of the company until her retirement in 1922, singing 29 roles there in nearly 500 performances. She developed a great popular following, especially among New York's young female opera-goers, who were known as 'Gerry-flappers'. Farrar created the title roles in Pietro Mascagni's Amica, Monte Carlo, 1905, Puccini's Suor Angelica, New York, 1918, Umberto Giordano's Madame Sans-Gêne, New York, 1915, as well as the Goosegirl in Engelbert Humperdinck's Königskinder, New York, 1910, for which she trained her own flock of geese.



Object details

Categories
Object type
TitleGeraldine Farrar (1882-1969) as Cio-Cio-San in Puccinis's opera <i>Madam Butterfly</i>
Materials and techniques
Glazed earthenware
Brief description
Glazed porcelain figurine of Geraldine Farrar (1882-1969) as Cio-Cio-San in Giacomo Puccini's opera Madam Butterfly. Hutschenreuther Factory, 1982


Physical description
Glazed porcelain figurine representing Geraldine Farrar as Cio-Cio-San in Giacomo Puccini's opera Madam Butterfly, standing on a circular white base, in a black Japanese-style wig decorated with flowers and wearing a long white kimono edged at the neckline and sleeves with ochre and pale blue revers, with a pale blue sash and obi, and ochre and yellow flowers overpainted on the skirt of the kimono. She holds a fan in her right hand and the left hand is extended in a welcoming gesture. The base bears the marker's mark in black for the Hutschenreuther Factory, after 1970, a facsimile of the signature of the designer Hans Schiziger, the number of the edition 575/50000, and a label printed Lorenz Hutschenreuther Kunstabeilung, with the handwritten number 02480088704
Dimensions
  • Height: 20.5cm (Note: Maximum height)
  • From estreme right side of fan to outside elbow of left arm width: 10.0cm
  • Frontmost part of fan to back of kimono at the bottom edge depth: 8.0cm
Marks and inscriptions
The base bears the marker's backstamp in black (a lion within an oval over the number 1814), the Hutschenreuther Factory's mark after 1970; a facsimile of the signature of the designer Hans Schiziger; the number of the edition 575/50000, and a label printed Lorenz Hutschenreuther Kunstabeilung, with the handwritten number 02480088704
Credit line
Acquired with the support of the Friends of the V&A
Summary
The American soprano Geraldine Farrar, born in 1882 in Melrose, Massacusetts, studied music in Boston from the age of 5 and trained in New York and Paris with the American soprano Emma Thursby, and in Berlin with the Italian baritone Francesco Graziani before making a sensational debut in 1901 at the Berlin Hofoper as Marguerite in Gunoud's Faust. She worked with the Monte Carlo Opera, and in 1906 made her debut as the New York Metropolitan Opera in Romeo et Juliette. She appeared in Metropolitan Opera's original production of Giacomo Puccini's Madam Butterfly in 1907 and remained a member of the company until her retirement in 1922, singing 29 roles there in nearly 500 performances. She developed a great popular following, especially among New York's young female opera-goers, who were known as 'Gerry-flappers'. Farrar created the title roles in Pietro Mascagni's Amica, Monte Carlo, 1905, Puccini's Suor Angelica, New York, 1918, Umberto Giordano's Madame Sans-Gêne, New York, 1915, as well as the Goosegirl in Engelbert Humperdinck's Königskinder, New York, 1910, for which she trained her own flock of geese.



Bibliographic reference
Other number
575/50000 - Limited Edition Number
Collection
Accession number
S.1659-2014

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Record createdAugust 28, 2014
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