The Maid's Tragedy
Set Design
1977 (designed)
1977 (designed)
Artist/Maker | |
Place of origin |
Proposed design for a permanent setting for the Greenwich Theatre Season 1977-1978 demonstrating how the set could be used for a production of The Maid's Tragedy. The production never took place.
Dubbed Voytek by George Devine, Wojciech Roman Pawel Jerzy Szendzikowski (1925-2014), was known for his distinctive designs for the stage, theatre and film. Drawing his elaborate designs from in depth analysis of each script or screenplay.
Winning the Military Cross for his role in the Second World War, Voytek transferring first to Italy and then to Scotland after the end of the war where he enrolled at the Dundee Art Collage. In 1947 he moved to London, becoming a student of stage design at the Old Vic Theatre School. His career as a stage set and costume designer began with the Nottingham Playhouse whist his work on TV drama began with ABC Television and on film with Roman Polanski’s Cul-de-Sac.
His theatrical works concentrated on major regional theatre and touring companies including the Royal Shakespeare Company, Nottingham Playhouse, Birmingham Repertory Theatre and Shared Experience; he was head of design at the Liverpool Playhouse from 1981-1982.
The collection this design is from also contains working drawings, model pieces, photograph, production notes as well as press cuttings and programmes relating to Voytek’s career as a production designer for the stage, television and film.
Dubbed Voytek by George Devine, Wojciech Roman Pawel Jerzy Szendzikowski (1925-2014), was known for his distinctive designs for the stage, theatre and film. Drawing his elaborate designs from in depth analysis of each script or screenplay.
Winning the Military Cross for his role in the Second World War, Voytek transferring first to Italy and then to Scotland after the end of the war where he enrolled at the Dundee Art Collage. In 1947 he moved to London, becoming a student of stage design at the Old Vic Theatre School. His career as a stage set and costume designer began with the Nottingham Playhouse whist his work on TV drama began with ABC Television and on film with Roman Polanski’s Cul-de-Sac.
His theatrical works concentrated on major regional theatre and touring companies including the Royal Shakespeare Company, Nottingham Playhouse, Birmingham Repertory Theatre and Shared Experience; he was head of design at the Liverpool Playhouse from 1981-1982.
The collection this design is from also contains working drawings, model pieces, photograph, production notes as well as press cuttings and programmes relating to Voytek’s career as a production designer for the stage, television and film.
Object details
Categories | |
Object type | |
Title | The Maid's Tragedy (generic title) |
Materials and techniques | Pastels, sketching |
Brief description | Set design by Voytek for The Maid's Tragedy, Greenwich Theatre, London, 1977 |
Physical description | Proposed design for a permanent setting for the Greenwich Theatre Season 1977-1978 demonstrating how the set could be used for a production of The Maid's Tragedy. The studio theatre style configuration shows a gold floor with painted panels on the walls. Two figures look upwards at a figure suspended from the wall. Red curtains line the walls and various lighting points have been identified. |
Dimensions |
|
Marks and inscriptions | 'studio / walls / painted / Bed / from behind drapes' |
Credit line | Given by the artist |
Place depicted | |
Literary reference | The Maid's Tragedy |
Summary | Proposed design for a permanent setting for the Greenwich Theatre Season 1977-1978 demonstrating how the set could be used for a production of The Maid's Tragedy. The production never took place. Dubbed Voytek by George Devine, Wojciech Roman Pawel Jerzy Szendzikowski (1925-2014), was known for his distinctive designs for the stage, theatre and film. Drawing his elaborate designs from in depth analysis of each script or screenplay. Winning the Military Cross for his role in the Second World War, Voytek transferring first to Italy and then to Scotland after the end of the war where he enrolled at the Dundee Art Collage. In 1947 he moved to London, becoming a student of stage design at the Old Vic Theatre School. His career as a stage set and costume designer began with the Nottingham Playhouse whist his work on TV drama began with ABC Television and on film with Roman Polanski’s Cul-de-Sac. His theatrical works concentrated on major regional theatre and touring companies including the Royal Shakespeare Company, Nottingham Playhouse, Birmingham Repertory Theatre and Shared Experience; he was head of design at the Liverpool Playhouse from 1981-1982. The collection this design is from also contains working drawings, model pieces, photograph, production notes as well as press cuttings and programmes relating to Voytek’s career as a production designer for the stage, television and film. |
Other number | THM/153 (Voytek Archive) - Archive number |
Collection | |
Accession number | S.1513-1994 |
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Record created | August 22, 2014 |
Record URL |
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