Andrea Chenier
Design
1959 (made)
1959 (made)
| Artist/Maker | |
| Place of origin |
Design for stage costumes worn by the National Guard in a production of <i>Andrea Chenier</i>, created by Leslie Hurry, 1959. The performers for whom the designs were created included the tenors Neville Griffiths, Haydn Hughes, and Basses Charles Draper and Ian McPherson.
Andrea Chenier by Umberto Giordano & Luigi Illica translated by Tom Hammond was produced by Anthony Besch for Sadler's Wells Opera initially at Coventry Theatre on 11 September 1959, and toured before its official premiere Sadler’s Wells Theatre, London on 13 October 1959.
Andrea Chenier was first produced at La Scala, Milan in 1896 but is not frequently performed in Britain. It is based loosely on the life of the French poet, André Chénier (1762-1794), who was executed during the French Revolution. The opera was chosen to open Sadler’s Wells Theatre after the building of a new proscenium arch for the stage and improved acoustics.
A review published in The Times 14th October, 1959, noted that ‘the sets and dresses by Leslie Hurry had the authentic French Revolutionary appearance.’
Andrea Chenier by Umberto Giordano & Luigi Illica translated by Tom Hammond was produced by Anthony Besch for Sadler's Wells Opera initially at Coventry Theatre on 11 September 1959, and toured before its official premiere Sadler’s Wells Theatre, London on 13 October 1959.
Andrea Chenier was first produced at La Scala, Milan in 1896 but is not frequently performed in Britain. It is based loosely on the life of the French poet, André Chénier (1762-1794), who was executed during the French Revolution. The opera was chosen to open Sadler’s Wells Theatre after the building of a new proscenium arch for the stage and improved acoustics.
A review published in The Times 14th October, 1959, noted that ‘the sets and dresses by Leslie Hurry had the authentic French Revolutionary appearance.’
Object details
| Category | |
| Object type | |
| Title | Andrea Chenier (assigned by artist) |
| Materials and techniques | Black ink, watercolour and pencil drawing |
| Brief description | Design for stage costumes worn by the National Guard in a production of Andrea Chenier, created by Leslie Hurry, 1959 |
| Physical description | Design for stage costumes worn by the National Guard in a production of Andrea Chenier, created by Leslie Hurry, 1959. The design shows full length designs for two men. The figure on the left is dressed in a formal uniform with a bicorn hat, blue cutaway jacket, with gold epaulettes at the shoulders and close fitting pantaloons. He is carrying a gun in his left hand. The second figure, on the right, is wearing a long jacket with an upright collar, gold trimmed turned back cuffs and frogging at the shoulders. He is also wearing long, rough, pantaloons and a red, Phrygian caps. He is also carrying a gun in his left hand. Both men are wearing red, white and blue rosettes. |
| Dimensions |
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| Marks and inscriptions |
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| Credit line | Given by Mrs Caro Rathbone |
| Literary reference | Andrea Chenier |
| Summary | Design for stage costumes worn by the National Guard in a production of <i>Andrea Chenier</i>, created by Leslie Hurry, 1959. The performers for whom the designs were created included the tenors Neville Griffiths, Haydn Hughes, and Basses Charles Draper and Ian McPherson. Andrea Chenier by Umberto Giordano & Luigi Illica translated by Tom Hammond was produced by Anthony Besch for Sadler's Wells Opera initially at Coventry Theatre on 11 September 1959, and toured before its official premiere Sadler’s Wells Theatre, London on 13 October 1959. Andrea Chenier was first produced at La Scala, Milan in 1896 but is not frequently performed in Britain. It is based loosely on the life of the French poet, André Chénier (1762-1794), who was executed during the French Revolution. The opera was chosen to open Sadler’s Wells Theatre after the building of a new proscenium arch for the stage and improved acoustics. A review published in The Times 14th October, 1959, noted that ‘the sets and dresses by Leslie Hurry had the authentic French Revolutionary appearance.’ |
| Collection | |
| Accession number | S.1878-2014 |
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| Record created | August 14, 2014 |
| Record URL |
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