Andrea Chenier
Design
1959 (made)
1959 (made)
| Artist/Maker | |
| Place of origin |
Design for a stage costume worn by the mezzo-soprano Elizabeth Howarth in an unidentified role. The design was created by Leslie Hurry for a production of <i>Andrea Chenier</i>, 1959 .
Andrea Chenier by Umberto Giordano & Luigi Illica translated by Tom Hammond was produced by Anthony Besch for Sadler's Wells Opera initially at Coventry Theatre on 11 September 1959, and toured before its official premiere Sadler’s Wells Theatre, London on 13 October 1959.
Andrea Chenier was first produced at La Scala, Milan in 1896 but is not frequently performed in Britain. It is based loosely on the life of the French poet, André Chénier (1762-1794), who was executed during the French Revolution. The opera was chosen to open Sadler’s Wells Theatre after the building of a new proscenium arch for the stage and improved acoustics.
A review published in The Times 14th October, 1959, noted that ‘the sets and dresses by Leslie Hurry had the authentic French Revolutionary appearance.’
Andrea Chenier by Umberto Giordano & Luigi Illica translated by Tom Hammond was produced by Anthony Besch for Sadler's Wells Opera initially at Coventry Theatre on 11 September 1959, and toured before its official premiere Sadler’s Wells Theatre, London on 13 October 1959.
Andrea Chenier was first produced at La Scala, Milan in 1896 but is not frequently performed in Britain. It is based loosely on the life of the French poet, André Chénier (1762-1794), who was executed during the French Revolution. The opera was chosen to open Sadler’s Wells Theatre after the building of a new proscenium arch for the stage and improved acoustics.
A review published in The Times 14th October, 1959, noted that ‘the sets and dresses by Leslie Hurry had the authentic French Revolutionary appearance.’
Object details
| Category | |
| Object type | |
| Title | Andrea Chenier (assigned by artist) |
| Materials and techniques | Black ink, watercolour and pencil drawing |
| Brief description | Design for a stage costume worn by the mezzo-soprano Elizabeth Howarth in an unidentified role. Created by Leslie Hurry for a production of Andrea Chenier, 1959 |
| Physical description | Design for a stage costume worn by the mezzo-soprano Elizabeth Howarth in an unidentified role. Created by Leslie Hurry for a production of Andrea Chenier, 1959. The design shows a full length, 3/4 view of a woman in a pale yellow form dress. The dress has a close fitting bodice and a pale blue upper skirt which extends into a train at the rear. The underskirt of the dress is extremely wide, probably supported on 'paniers' or hooped skirts to achieve the mid to late eighteenth century silhouette. She is carrying a closed fan in her right hand. |
| Dimensions |
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| Marks and inscriptions |
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| Credit line | Given by Mrs Caro Rathbone |
| Literary reference | Andrea Chenier |
| Summary | Design for a stage costume worn by the mezzo-soprano Elizabeth Howarth in an unidentified role. The design was created by Leslie Hurry for a production of <i>Andrea Chenier</i>, 1959 . Andrea Chenier by Umberto Giordano & Luigi Illica translated by Tom Hammond was produced by Anthony Besch for Sadler's Wells Opera initially at Coventry Theatre on 11 September 1959, and toured before its official premiere Sadler’s Wells Theatre, London on 13 October 1959. Andrea Chenier was first produced at La Scala, Milan in 1896 but is not frequently performed in Britain. It is based loosely on the life of the French poet, André Chénier (1762-1794), who was executed during the French Revolution. The opera was chosen to open Sadler’s Wells Theatre after the building of a new proscenium arch for the stage and improved acoustics. A review published in The Times 14th October, 1959, noted that ‘the sets and dresses by Leslie Hurry had the authentic French Revolutionary appearance.’ |
| Collection | |
| Accession number | S.1876-2014 |
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| Record created | August 14, 2014 |
| Record URL |
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