Cymbeline
Design
1949 (made)
1949 (made)
Artist/Maker | |
Place of origin |
Design for a crown, clasp and sword hilt by Leslie Hurry for Shakespeare's Cymbeline, Shakespeare Memorial Theatre, Stratford-Upon-Avon. This production of Cymbeline was directed by Michael Benthall and was first performed on 21 May 1949.
Leslie Hurry (1909-1978) trained at the Royal Academy and during the 1930s became known as a surrealist painter. A one-man show in London in 1942 was seen by the theatre director, Michael Benthall, who recommended Hurry to the dancer and choreographer, Robert Helpmann, then planning a ballet based on Shakespeare's Hamlet. The success of his designs set Hurry on a second career as one of the most distinguished theatre designers of his generation. He designed operas, ballets and plays, notably Swan Lake for the Sadler's Wells Ballet in 1943, a production which stayed in the repertoire for thirty years; Venice Preserv'd for Peter Brook (1953); the Ring Cycle at Covent Garden (1954), and Troilus and Cressida at Stratford for Peter Hall (1960), famous for being staged in a sand pit.
Properties were made by Edward Blatch and accessories by Jack Wilson.
Leslie Hurry (1909-1978) trained at the Royal Academy and during the 1930s became known as a surrealist painter. A one-man show in London in 1942 was seen by the theatre director, Michael Benthall, who recommended Hurry to the dancer and choreographer, Robert Helpmann, then planning a ballet based on Shakespeare's Hamlet. The success of his designs set Hurry on a second career as one of the most distinguished theatre designers of his generation. He designed operas, ballets and plays, notably Swan Lake for the Sadler's Wells Ballet in 1943, a production which stayed in the repertoire for thirty years; Venice Preserv'd for Peter Brook (1953); the Ring Cycle at Covent Garden (1954), and Troilus and Cressida at Stratford for Peter Hall (1960), famous for being staged in a sand pit.
Properties were made by Edward Blatch and accessories by Jack Wilson.
Object details
Category | |
Object type | |
Title | Cymbeline (assigned by artist) |
Materials and techniques | Black ink, watercolour and blue pencil on paper |
Brief description | Design for a crown, clasp and sword hilt by Leslie Hurry for Shakespeare's Cymbeline, Shakespeare Memorial Theatre, Stratford-Upon-Avon, 1949 |
Physical description | Pen and watercolour design on paper for a crown, clasp and sword hilt by Leslie Hurry for Shakespeare's Cymbeline, Shakespeare Memorial Theatre 1949. The design shows a gold crown studded with red and green stones, a gold diamond-shaped clasp with a large red stone surrounded by four smaller green stones, and a gold hilt for a sword. |
Dimensions |
|
Marks and inscriptions | Cymbeline
Crown
Clasp for cloak
Sword. (On front side in black ink) |
Credit line | Given by Mrs Caro Rathbone |
Literary reference | Cymbeline |
Summary | Design for a crown, clasp and sword hilt by Leslie Hurry for Shakespeare's Cymbeline, Shakespeare Memorial Theatre, Stratford-Upon-Avon. This production of Cymbeline was directed by Michael Benthall and was first performed on 21 May 1949. Leslie Hurry (1909-1978) trained at the Royal Academy and during the 1930s became known as a surrealist painter. A one-man show in London in 1942 was seen by the theatre director, Michael Benthall, who recommended Hurry to the dancer and choreographer, Robert Helpmann, then planning a ballet based on Shakespeare's Hamlet. The success of his designs set Hurry on a second career as one of the most distinguished theatre designers of his generation. He designed operas, ballets and plays, notably Swan Lake for the Sadler's Wells Ballet in 1943, a production which stayed in the repertoire for thirty years; Venice Preserv'd for Peter Brook (1953); the Ring Cycle at Covent Garden (1954), and Troilus and Cressida at Stratford for Peter Hall (1960), famous for being staged in a sand pit. Properties were made by Edward Blatch and accessories by Jack Wilson. |
Collection | |
Accession number | S.1863-2014 |
About this object record
Explore the Collections contains over a million catalogue records, and over half a million images. It is a working database that includes information compiled over the life of the museum. Some of our records may contain offensive and discriminatory language, or reflect outdated ideas, practice and analysis. We are committed to addressing these issues, and to review and update our records accordingly.
You can write to us to suggest improvements to the record.
Suggest feedback
You can write to us to suggest improvements to the record.
Suggest feedback
Record created | August 12, 2014 |
Record URL |
Download as: JSON