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Not currently on display at the V&A

Turandot

Costume Design
1963 (made)
Artist/Maker
Place of origin

Costume design by Cecil Beaton for the Maids to Turandot in Act I of Turandot, Royal Opera House, London, 1963

Sir Cecil Beaton (1904-1980) was best known as a photographer. Beaton also worked as an illustrator, a diarist, and designer for stage and film. He won three Oscars for costume and art direction for the film version of My Fair Lady (1965) and for Gigi (1958).

Turandot is an opera in three acts and five scenes with music by Giacomo Puccini and is written for a cast and orchestra of over 160. It was Puccini’s final opera that was completed by Franco Alfano and received its premiere on 25 April 1926 at Teatro alla Scalla in Milan. Turandot was originally designed by Cecil Beaton for the Metropolitan Opera House, New York in 1961 and was reproduced for the Royal Opera House with some modifications on 28 February 1963. The producer for the Royal Opera House was Sandro Sequi and conductor Edward Downes. Cecil Beaton’s designs were lit by William Bundy. The costumes were made by Bonn & Mackenzie Ltd., Alec Shanks, Vidrobes Willis and Covent Garden Production Department. Shoes by Anello & Davide and Miss Shuard’s headdress was made by Hugh Skillen. Cecil Beaton’s designs were praised by the critics for being full of colour and elaborate. Philip Hope-Wallace of the Guardian said “Cecil Beaton has designed superb costumes, of original fantasy and high skill”.


Object details

Categories
Object type
TitleTurandot (generic title)
Materials and techniques
Black ink and watercolour drawing on paper Fabric pinned to design
Brief description
Costume design by Cecil Beaton for the Maids to Turandot in Act I of Turandot, Royal Opera House, London, 1963
Physical description
Black ink and watercolour costume designs for two maids to Turandot for the 1963 production of Turandot at the Royal Opera House.
The design consists of tunics and skirts.
Signed by Cecil Beaton.
Fabric Swatches are pinned to the design
Dimensions
  • Height: 29cm
  • Width: 23cm
Marks and inscriptions
  • Maids to Turandot Costume 1 Blue tunic of wool White yoke and sleeve lining or miner sleeve With applique Skirt wool or crepe this green (Notes on piece of paper attached to design)
  • 4 Court Ladies Long White Sleeves Hands must not show to floor(inside part) Use Fig on Left - 4 the same Hayes Chazin Sibley San Miguel Material - Linen Under garment Shoes Black Ballet shoes with embroidery 4 Ballet Girls Act I Court Ladies Head dress Karinska (On reverse)
Credit line
Given by the executors of Eileen Hose
Summary
Costume design by Cecil Beaton for the Maids to Turandot in Act I of Turandot, Royal Opera House, London, 1963

Sir Cecil Beaton (1904-1980) was best known as a photographer. Beaton also worked as an illustrator, a diarist, and designer for stage and film. He won three Oscars for costume and art direction for the film version of My Fair Lady (1965) and for Gigi (1958).

Turandot is an opera in three acts and five scenes with music by Giacomo Puccini and is written for a cast and orchestra of over 160. It was Puccini’s final opera that was completed by Franco Alfano and received its premiere on 25 April 1926 at Teatro alla Scalla in Milan. Turandot was originally designed by Cecil Beaton for the Metropolitan Opera House, New York in 1961 and was reproduced for the Royal Opera House with some modifications on 28 February 1963. The producer for the Royal Opera House was Sandro Sequi and conductor Edward Downes. Cecil Beaton’s designs were lit by William Bundy. The costumes were made by Bonn & Mackenzie Ltd., Alec Shanks, Vidrobes Willis and Covent Garden Production Department. Shoes by Anello & Davide and Miss Shuard’s headdress was made by Hugh Skillen. Cecil Beaton’s designs were praised by the critics for being full of colour and elaborate. Philip Hope-Wallace of the Guardian said “Cecil Beaton has designed superb costumes, of original fantasy and high skill”.
Collection
Accession number
S.972-2014

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Record createdJuly 17, 2014
Record URL
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