Vineta II
Necklace
1998 (made)
1998 (made)
Artist/Maker | |
Place of origin |
Andrea Wippermann trained at the influential East German jewellery school Burg Giebichenstein in Halle and currently is Professor of jewellery at the University of Wismar. Of her use of cast forms David Watkins has written that she ‘tests the process of casting as a vehicle for expressive gesture … to some extent [she] revisits metaphors from post-war years, its battered, mechanistic forms hint at personages and hierarchies. They are partway between figuration and abstraction…’
This necklace is one of forty-five pieces of jewellery given to the V&A from the collection of the late Louise Klapisch.
This necklace is one of forty-five pieces of jewellery given to the V&A from the collection of the late Louise Klapisch.
Object details
Categories | |
Object type | |
Title | Vineta II (assigned by artist) |
Materials and techniques | Oxidised silver, labradorite and moonstone on a textile cord |
Brief description | Necklace, silver, moonstone, labradorite and nylon, designed and made by Andrea Wippermann, Germany, 1998 |
Physical description | Five oxidised silver pendants attached to a grey nylon cord are linked by a thinner brown cord to a string of labradorite beads. The pendants are roughly finished and their diverse forms suggest a functional purpose from a remote industrial past. The central pendant consists of two hollow arc-shaped segments of triangular section; to one side is a smaller footed piece with two cylinders and a central chimney, and beyond a wider cylinder with a conical top which is set with a moonstone; to the other side are two taller pendants of similar form which appear to have been made as one piece then cut vertically in two. |
Dimensions |
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Marks and inscriptions | unmarked |
Credit line | The Louise Klapisch Collection, given by Suzanne Selvi |
Summary | Andrea Wippermann trained at the influential East German jewellery school Burg Giebichenstein in Halle and currently is Professor of jewellery at the University of Wismar. Of her use of cast forms David Watkins has written that she ‘tests the process of casting as a vehicle for expressive gesture … to some extent [she] revisits metaphors from post-war years, its battered, mechanistic forms hint at personages and hierarchies. They are partway between figuration and abstraction…’ This necklace is one of forty-five pieces of jewellery given to the V&A from the collection of the late Louise Klapisch. |
Bibliographic reference | |
Collection | |
Accession number | M.56-2014 |
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Record created | June 11, 2014 |
Record URL |
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