Not on display

Vase and Storage Box

Place of origin

Born in Tokyo into a family of metalsmiths, Io Koichi graduated from Musashino Art University, Tokyo, in 2009. In a very short period of time, during which he has exhibited internationally in Korea, Germany and the UK, he has established himself as one of most technically competent and artistically ambitious makers of his generation. The materials normally used by Japanese metalsmiths for hand-raising are copper, silver, various kinds of soft copper-based alloys and, since the 20th century, aluminium. Shakudo, which is a mixture of copper with up to 10% gold, is a much harder alloy historically used for making sword-fittings and other small-scale decorative items. Io’s choice of shakudo as a material is therefore an unusual one and in terms of what it requires of the maker, an extremely demanding one. This vase is highly resolved both in overall form and in the sensitive fashioning of its mouth. While only his second work in shakudo, it is a consummate piece of metalsmithing.

Object details

Object type
Parts
This object consists of 2 parts.

  • Vase
  • Storage Box
Brief description
Vase and storage box, 'Whirl Vase', hand-raised patinated shakudo (97% copper with 3% gold / rokusho patination), Japan, 2014, by IO Koichi (1987-); Japan, modern crafts, studio, metal
Credit line
Friends of the V&A
Summary
Born in Tokyo into a family of metalsmiths, Io Koichi graduated from Musashino Art University, Tokyo, in 2009. In a very short period of time, during which he has exhibited internationally in Korea, Germany and the UK, he has established himself as one of most technically competent and artistically ambitious makers of his generation. The materials normally used by Japanese metalsmiths for hand-raising are copper, silver, various kinds of soft copper-based alloys and, since the 20th century, aluminium. Shakudo, which is a mixture of copper with up to 10% gold, is a much harder alloy historically used for making sword-fittings and other small-scale decorative items. Io’s choice of shakudo as a material is therefore an unusual one and in terms of what it requires of the maker, an extremely demanding one. This vase is highly resolved both in overall form and in the sensitive fashioning of its mouth. While only his second work in shakudo, it is a consummate piece of metalsmithing.
Collection
Accession number
FE.38-2014

About this object record

Explore the Collections contains over a million catalogue records, and over half a million images. It is a working database that includes information compiled over the life of the museum. Some of our records may contain offensive and discriminatory language, or reflect outdated ideas, practice and analysis. We are committed to addressing these issues, and to review and update our records accordingly.

You can write to us to suggest improvements to the record.

Suggest feedback

Record createdJune 10, 2014
Record URL
Download as: JSON