Not on display

Come Where My Love Lies Dreaming

Sheet Music
1857 (published)
Artist/Maker
Place of origin

This sheet music was published in 1857 in The Musical Bouquet, a series of affordable piano music published weekly as individual pieces, and every six months as bound volumes. William Strange (1801-1871) and James Bingley started publishing The Musical Bouquet from the office in 192 High Holborn in January 1845, with their illustrator Alfred Ashley (1820-1897) and their editor Francis Lancelott, probably inspired by G.H. Davidson's similar publication The Musical Treasury launched in 1844. Bingley had previously collaborated with Ashley in 1843-1844 to publish the two-volume Bingley's Select Vocalist, an eclectic collection of songs, glees and duets engraved by Bingley from drawings by Ashley. In the hands of Strange and Davidson the pieces published by The Musical Bouquet were largely pirated from other publishers. Strange sold his publishing business to his son William Strange Junior on 18th February 1849, but after that date Charles Sheard Senior is associated with The Musical Bouquet. He soon became its proprietor, increased its production to two pieces a week, and by its height of popularity in the 1860s, to eight copies a week. On his death in 1873 his son Charles Sheard Junior took control of the firm as senior partner and The Musical Bouquet continued until 1898, after which Charles Sheard Junior continued publishing music sheets from 192 High Holborn.

Minstrel shows were very popular in London from the 1840s onwards, notably in St. James's Hall in Piccadilly where they were considered family entertainment. Minstrels sang sentimental ballads and played instruments including the banjo, tambourine, one-stringed fiddle and the bones. Christy's Minstrels was a blackface minstrel group which was started by Edwin Pearce Christy. Stephen Collins Foster (1826 – 1864), known as "the father of American music", was an American songwriter primarily known for his parlour and minstrel music

Object details

Categories
Object type
Parts
This object consists of 2 parts.
(Some alternative part names are also shown below)
  • Sheet Music
  • Prints
  • Sheet Music
  • Prints
TitleCome Where My Love Lies Dreaming (published title)
Materials and techniques
Lithograph
Brief description
Music sheet for Come Where My Love Lies Dreaming, one of the Favourite American Songs sung by the Christy Minstrels, composed by Stephen Foster (1826-1864), published by The Musical Bouquet, London, 1857
Physical description
Music sheet illustrated with a line drawing of the American stars and stripes flag and an American eagle over a text box inscribed American Melodies, beneath which is inscribed Sung by the Christy Minstrels
Dimensions
  • Front cover height: 34cm (approx)
  • Front cover width: 24cm
Marks and inscriptions
Transliteration
Credit line
Gabrielle Enthoven Collection
Summary
This sheet music was published in 1857 in The Musical Bouquet, a series of affordable piano music published weekly as individual pieces, and every six months as bound volumes. William Strange (1801-1871) and James Bingley started publishing The Musical Bouquet from the office in 192 High Holborn in January 1845, with their illustrator Alfred Ashley (1820-1897) and their editor Francis Lancelott, probably inspired by G.H. Davidson's similar publication The Musical Treasury launched in 1844. Bingley had previously collaborated with Ashley in 1843-1844 to publish the two-volume Bingley's Select Vocalist, an eclectic collection of songs, glees and duets engraved by Bingley from drawings by Ashley. In the hands of Strange and Davidson the pieces published by The Musical Bouquet were largely pirated from other publishers. Strange sold his publishing business to his son William Strange Junior on 18th February 1849, but after that date Charles Sheard Senior is associated with The Musical Bouquet. He soon became its proprietor, increased its production to two pieces a week, and by its height of popularity in the 1860s, to eight copies a week. On his death in 1873 his son Charles Sheard Junior took control of the firm as senior partner and The Musical Bouquet continued until 1898, after which Charles Sheard Junior continued publishing music sheets from 192 High Holborn.

Minstrel shows were very popular in London from the 1840s onwards, notably in St. James's Hall in Piccadilly where they were considered family entertainment. Minstrels sang sentimental ballads and played instruments including the banjo, tambourine, one-stringed fiddle and the bones. Christy's Minstrels was a blackface minstrel group which was started by Edwin Pearce Christy. Stephen Collins Foster (1826 – 1864), known as "the father of American music", was an American songwriter primarily known for his parlour and minstrel music
Collection
Accession number
S.969-2014

About this object record

Explore the Collections contains over a million catalogue records, and over half a million images. It is a working database that includes information compiled over the life of the museum. Some of our records may contain offensive and discriminatory language, or reflect outdated ideas, practice and analysis. We are committed to addressing these issues, and to review and update our records accordingly.

You can write to us to suggest improvements to the record.

Suggest feedback

Record createdMay 16, 2014
Record URL
Download as: JSONIIIF Manifest