Text of poem 'Lancelot and Elaine' from 'Illustrations to Tennyson's Idylls of the King and Other Poems', vol. 2
Photograph
1875 (printed)
1875 (printed)
Artist/Maker | |
Place of origin |
In 1874, Julia Margaret Cameron's neighbor, and renowned poet, Alfred Tennyson suggested that Cameron create some illustrations for a new volume of his series of poems on Arthurian legends, "Idylls of the King." In the end, only three images were used, as woodcuts, but the full-size prints were later published in two volumes and were accompanied by excerpts from Tennyson's text and his signature. This is a section of verse from volume two.
Object details
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Object type | |
Titles |
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Materials and techniques | Ink on paper |
Brief description | Text of poem 'Lancelot and Elaine' from 'Illustrations to Tennyson's Idylls of the King and Other Poems', vol. 2, 1875 illustrated with photographs by Julia Margaret Cameron |
Physical description | Printed page of poem text in book of poems with photographic illustrations. |
Dimensions |
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Marks and inscriptions | 'Lancelot and Elaine
"O sweet father, tender and true,
Deny me not,’ she said—’ye never yet
Denied my fancies—this, however strange,
My latest: lay the letter in my hand
A little ere I die, and close the hand
Upon it; I shall guard it even in death.
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And therefore let our dumb old man alone
Go with me, he can steer and row, and he
Will guide me to that palace, to the
doors."
She ceased: her father promised; whereupon
She grew so cheerful that they deemed her death
Was rather in the fantasy than the blood.
But ten slow mornings past, and on the eleventh
Her father laid the letter in her hand,
And closed the hand upon it, and she died.
So that day there was dole in Astolat.--
But when the next sun brake from underground,
Then, those two brethren slowly with bent brows
Accompanying, the sad chariot-bier
Past like a shadow through the field, that shone
Full-summer, to that stream whereon the barge,
Palled all its length in blackest samite, lay.
There sat the lifelong creature of the house,
Loyal, the dumb old servitor, on deck,
Winking his eyes, and twisted all his face.
So those two brethren from the chariot took
And on the black decks laid her in her bed,
Set in her hand a lily, o’er her hung
The silken case with braided blazonings,
And kissed her quiet brows, and saying to her
‘Sister, farewell for ever,’ and again
‘Farewell, sweet sister,’ parted all in tears.
Then rose the dumb old servitor, and the dead,
Oared by the dumb, went upward with the flood—
In her right hand the lily, in her left
The letter—all her bright hair streaming down—
And all the coverlid was cloth of gold
Drawn to her waist, and she herself in white
All but her face, and that clear-featured face
Was lovely, for she did not seem as dead,
But fast asleep, and lay as tho' she smiled.
A Tennyson' |
Object history | Originally part of a bound folio volume containing 11 photographs by Cameron and 11 pages of verse text by Tennyson and 3 other text pages (two photographs are missing, the frontispiece image of Tennyson and the last image, 'The Passing of Arthur'). Volume 2 of two albums of illustrations to Tennyson's 'Idylls of the King and other Poems' published by Henry S. King & Co., 1874-75). Each photograph is mounted on bluish mounts with gilt borders. |
Associations | |
Literary reference | 'Illustrations to Tennyson's Idylls of the King, and other poems', vol. 2, by Julia Margaret Cameron. London: Henry S. King & Co., 1875. |
Summary | In 1874, Julia Margaret Cameron's neighbor, and renowned poet, Alfred Tennyson suggested that Cameron create some illustrations for a new volume of his series of poems on Arthurian legends, "Idylls of the King." In the end, only three images were used, as woodcuts, but the full-size prints were later published in two volumes and were accompanied by excerpts from Tennyson's text and his signature. This is a section of verse from volume two. |
Associated object | 44-1939 (Part) |
Collection | |
Accession number | 44:1-1939 |
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Record created | May 14, 2014 |
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