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Revolution Death and Baracades [sic]

Print
1985 (made)
Artist/Maker

Michael Sandle, born (1936) and brought up on the Isle of Man, is best known as a sculptor but spent most of his time whilst a student at the Slade in the etching and lithography studios. In a statement made in 1988 he averred that printmaking was a seminal activity for him, which significantly affected his development as an artist, particularly the way he continued to draw and he confessed to sometimes having a longing to make prints.

After a period of working in the USA and Canada, he has spent much of his professional life in Germany at the Academy of Art at Karlsruhe. His work addresses the brutality of war, and his representation of weaponry, machinery and its other accoutrements has been influenced by the early 20th-century Italian Futurist artists. Much of his work has a memorial theme, looking back to various periods of intense international and global conflict. Here, a band of bullet-headed soldiers, led by the figure of Death, protect their barricade with guns, surrounded by a ravaged landscape.

Object details

Categories
Object type
TitleRevolution Death and Baracades [sic] (assigned by artist)
Materials and techniques
Etching and aquatint on paper
Brief description
Michael Sandle Revolution: Death and Baracades [sic]. Etching and aquatint. 1985
Dimensions
  • Plate height: 37cm
  • Plate width: 54.4cm
Production typeLimited edition
Copy number
30/30
Marks and inscriptions
'Michael Sandle 1985 30/30' (Signed and inscribed with date and edition no. in pencil.)
Credit line
Given by Fischer Fine Art Ltd., London
Subjects depicted
Summary
Michael Sandle, born (1936) and brought up on the Isle of Man, is best known as a sculptor but spent most of his time whilst a student at the Slade in the etching and lithography studios. In a statement made in 1988 he averred that printmaking was a seminal activity for him, which significantly affected his development as an artist, particularly the way he continued to draw and he confessed to sometimes having a longing to make prints.

After a period of working in the USA and Canada, he has spent much of his professional life in Germany at the Academy of Art at Karlsruhe. His work addresses the brutality of war, and his representation of weaponry, machinery and its other accoutrements has been influenced by the early 20th-century Italian Futurist artists. Much of his work has a memorial theme, looking back to various periods of intense international and global conflict. Here, a band of bullet-headed soldiers, led by the figure of Death, protect their barricade with guns, surrounded by a ravaged landscape.
Collection
Accession number
E.525-1988

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Record createdNovember 17, 2006
Record URL
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