Beyond reading thumbnail 1
Image of Gallery in South Kensington
Request to view at the National Art Library

Beyond reading

Artist's Book
1993 (published)
Artist/Maker
Place of origin

This artist's book by Simon Cutts is an exploration of the nature of reading and its relationship with the spoken word. The quotations at the beginning and the end of this pamphlet-style work are taken from Stéphane Mallarmé's 'Crise de vers'(1886-96) and concern his theory of the 'pure work' and the power of words. Mallarmé's literary observations serve as a point of departure for Cutt's own text, originally assembled in 1967. The text, printed in magenta ink on cream-coloured paper, is made up of a sequence of elegant sentences, phrases, words and blank pages. The pared down aesthetic of the page layout is evidently an essential element of the work. The 'notes' at the end of the work elaborate further: For Cutts the work can be 'read' sequentially but equally 'a haphazard eyeful will reveal some meaning or other'. The printed words that make up the text are celebrated as much for their visual resonance as for their notation of a particular sound.


Object details

Categories
Object type
TitleBeyond reading (published title)
Brief description
Artist's book, 'Beyond Reading', by Simon Cutts, London, 1993
Physical description
Artist's book printed in magenta ink on cream-coloured paper.

12 pages.
Dimensions
  • Height: 22cm
  • Width: 16cm
Summary
This artist's book by Simon Cutts is an exploration of the nature of reading and its relationship with the spoken word. The quotations at the beginning and the end of this pamphlet-style work are taken from Stéphane Mallarmé's 'Crise de vers'(1886-96) and concern his theory of the 'pure work' and the power of words. Mallarmé's literary observations serve as a point of departure for Cutt's own text, originally assembled in 1967. The text, printed in magenta ink on cream-coloured paper, is made up of a sequence of elegant sentences, phrases, words and blank pages. The pared down aesthetic of the page layout is evidently an essential element of the work. The 'notes' at the end of the work elaborate further: For Cutts the work can be 'read' sequentially but equally 'a haphazard eyeful will reveal some meaning or other'. The printed words that make up the text are celebrated as much for their visual resonance as for their notation of a particular sound.
Other number
X930139 - NAL Pressmark
Collection
Library number
38041993108612

About this object record

Explore the Collections contains over a million catalogue records, and over half a million images. It is a working database that includes information compiled over the life of the museum. Some of our records may contain offensive and discriminatory language, or reflect outdated ideas, practice and analysis. We are committed to addressing these issues, and to review and update our records accordingly.

You can write to us to suggest improvements to the record.

Suggest feedback

Record createdApril 30, 2014
Record URL
Download as: JSON