Illustration
1919
Artist/Maker | |
Place of origin |
Set in the Caucuses and inspired by Lermontov's poem, Thamar told of a cruel Queen of Georgia who lures travellers to their death. This illustration shows her waiving a 'rose-red' scarf from her turret window to lure passers by who she seduces and then pushes down to the raging gorge below. This illustration shows the scene in which the Queen meets the cloaked stranger prince watched by a servant and two cloaked Lezsghins.
The Ballet Thamar was created for Serge Diaghilev's Ballets Russes with choreography by Mikhail Fokine, music by Mily Balakirev and designs by Léon Bakst and first performed by the Ballets Russes on 20 May 1912 at the Théâtre du Châtelet, Paris. It was first performed by the Ballets Russes in London on 12 June 1912 at the Royal Opera House. It was performed at the end of the post War London Coliseum on 13 March 1919 when Lubov Tchernicheva took the title role as the Queen of Georgia and Leonide Massine was the stranger Prince. Tamara Karsavina returned to the title role she had created at the Alhambra Theatre in July 1919.
The illustration was drawn for Impressions of the Russian Ballet Thamar written by Cyril W Beaumont and decorated by Ethelbert White where it appears at the top of page 8.
The Ballet Thamar was created for Serge Diaghilev's Ballets Russes with choreography by Mikhail Fokine, music by Mily Balakirev and designs by Léon Bakst and first performed by the Ballets Russes on 20 May 1912 at the Théâtre du Châtelet, Paris. It was first performed by the Ballets Russes in London on 12 June 1912 at the Royal Opera House. It was performed at the end of the post War London Coliseum on 13 March 1919 when Lubov Tchernicheva took the title role as the Queen of Georgia and Leonide Massine was the stranger Prince. Tamara Karsavina returned to the title role she had created at the Alhambra Theatre in July 1919.
The illustration was drawn for Impressions of the Russian Ballet Thamar written by Cyril W Beaumont and decorated by Ethelbert White where it appears at the top of page 8.
Object details
Categories | |
Object type | |
Materials and techniques | Pen and black ink on paper |
Brief description | Illustration by Ethelbert White showing a scene from the ballet Thamar created for Serge Diaghilev's Ballet Russes in which the Queen meets the stranger prince |
Physical description | A Scene from the ballet Thamar showing the Queen meeting the cloaked stranger prince.watched by a servant and two cloaked Lezsghins. Signed on the botom right with the artist's initials E W EW |
Dimensions |
|
Marks and inscriptions | EW (Artists initials in bottom left-hand corner) |
Credit line | Cyril W. Beaumont Bequest |
Subjects depicted | |
Literary reference | Thamar by Lermontov |
Summary | Set in the Caucuses and inspired by Lermontov's poem, Thamar told of a cruel Queen of Georgia who lures travellers to their death. This illustration shows her waiving a 'rose-red' scarf from her turret window to lure passers by who she seduces and then pushes down to the raging gorge below. This illustration shows the scene in which the Queen meets the cloaked stranger prince watched by a servant and two cloaked Lezsghins. The Ballet Thamar was created for Serge Diaghilev's Ballets Russes with choreography by Mikhail Fokine, music by Mily Balakirev and designs by Léon Bakst and first performed by the Ballets Russes on 20 May 1912 at the Théâtre du Châtelet, Paris. It was first performed by the Ballets Russes in London on 12 June 1912 at the Royal Opera House. It was performed at the end of the post War London Coliseum on 13 March 1919 when Lubov Tchernicheva took the title role as the Queen of Georgia and Leonide Massine was the stranger Prince. Tamara Karsavina returned to the title role she had created at the Alhambra Theatre in July 1919. The illustration was drawn for Impressions of the Russian Ballet Thamar written by Cyril W Beaumont and decorated by Ethelbert White where it appears at the top of page 8. |
Collection | |
Accession number | S.666-2014 |
About this object record
Explore the Collections contains over a million catalogue records, and over half a million images. It is a working database that includes information compiled over the life of the museum. Some of our records may contain offensive and discriminatory language, or reflect outdated ideas, practice and analysis. We are committed to addressing these issues, and to review and update our records accordingly.
You can write to us to suggest improvements to the record.
Suggest feedback
You can write to us to suggest improvements to the record.
Suggest feedback
Record created | April 2, 2014 |
Record URL |
Download as: JSON