Pan Box and Cover
c. 1700 (made)
Place of origin |
The octagonal box was made within the Mughal empire, probably in the late 17th or early 18th century. The box and its cover are each fashioned to a very high standard from off-white nephrite jade that contains a few brownish, iron-stained, naturally occurring fractures.The box is made from a signle block of nephrite jade, and has a smooth, polished interior with a flat, smooth and polished underside. Its stepped rim has an elevated inner edge for keeping the cover in place. The side panels have been carved with a floral design in low relief, with each panel being bounded by a thin, raised border. The carved decoration is formed of two sets of four designs, with each pair of designs appearing on opposite sides of the box. The cover has also been carved from a single piece of nephrite and is gently domed with a smooth, polished interior. The only decoration is a set of shallow channels carved into the surface, joining the opposite corners of the octagon, giving eight identical isosceles triangle shaped segments. The upper surface has also been divided into eight isosceles triangle-shaped panels, each similarly carved and decorated to those on the box. The finial is part of the same piece of jade, and is carved in low relief as a multi-petalled flower bud surrounded by two superimposed rings of decoration, also in low relief. One ring is composed of eight leaves lying flat on the cover and pointing down the junctions between the panels. The second ring is of eight petals, recurved at their tips, pointing down through the apexes of the panels. The vertical rim allows the cover to be located securely onto the box and is decorated with broad chevrons in low relief, all pointing in the opposite direction to those on its two neighbouring sides. The box and cover fit perfectly together, and the craftsmanship is of such a high standard that it seems almost certain that they were made in the imperial workshops in Delhi or Agra. The box was used to hold pan (pronounced paan), the concoction of spices and chopped areca nut wrapped in a leaf of the betel tree which is chewed to aid digestion. The preparation and presentation of pan required an array of utensils and vessels. If these were to be used at court, they were often made of precious materials, including jade.
The box was previously owned by the notable collector of Mughal jade and rock crystal objects, Colonel Charles Seton Guthrie who sold it with other objects from his collection to the Indian Museum in Leadenhall Street, London, in 1868. They were all transferred to the South Kensington Museum, later renamed the Victoria and Albert Museum, in 1879.
The box was previously owned by the notable collector of Mughal jade and rock crystal objects, Colonel Charles Seton Guthrie who sold it with other objects from his collection to the Indian Museum in Leadenhall Street, London, in 1868. They were all transferred to the South Kensington Museum, later renamed the Victoria and Albert Museum, in 1879.
Object details
Categories | |
Object type | |
Parts | This object consists of 2 parts.
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Materials and techniques | Nephrite jade, fashioned, carved and polished using abrasives and abrasive-charged tools. |
Brief description | Box and cover, octagonal, floral decoration on the cover and sides in low relief, off-white nephrite jade,Mughal empire, probably c. 1700, formerly in the Guthrie Collection |
Physical description | An octagonal box and cover, fashioned to a very high standard in off-white nephrite jade that contains a few brownish, iron-stained, naturally occurring fractures.The one-piece box is symmetric with a smooth, polished interior and a flat, smooth and polished underside. The stepped rim has an elevated inner edge for locating and securing the cover in place. The side panels have been carved into to give a floral design raised against the recessed background, with each panel being bounded by a thin, raised border. The carved decoration is formed of two sets of four designs, with each pair of designs appearing on opposite sides of the box. The cover has also been carved from a single piece of nephrite and is gently domed with a smooth, polished interior and the only decoration is a set of shallow channels carved into the surface, joining the opposite corners of the octagon, giving eight identical isosceles triangle shaped segments. The upper surface has also been divided into eight isosceles triangle shaped panels with their bases corresponding with the sides of the cover. Each panel is similarly carved and decorated to those on the box and there is a central, integral finial that has been carved in low relief as a multi-petalled flower bud and which is surrounded by two superimposed rings of decoration, carved in low relief. One ring is composed of eight leaves lying flat on the cover and pointing down the junctions between the panels. The second ring is of eight petals, recurved at their tips, and which point down through the apexes of the panels. There is a vertical rim that allows the cover to be located securely onto the box and it is decorated with broad chevrons, carved in low relief, that all point in the opposite direction to those on its two neighbouring sides. The box and cover have been crafted so well that they fit perfectly together, irrespective of their relative orientation. |
Dimensions |
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Object history | This box and cover were originally in the Guthrie collection and were purchased for the sum of £101-0-0, when he sold 81 of his objects to the India Museum in 1868. It was subsequently transferred to the South Kensington Museum (later renamed The Victoria & Albert Museum) in 1879. Charles Seton Guthrie was an important collector of eastern coins and Mughal Empire jade and rock crystal objects. He was the second son of Scottish parents, both of whom were from noble and landed families, and his father worked for the East India Company in Calcutta. Guthrie most probably developed his interest in jade and rock crystal when he studied geology as a 17 year old cadet in 1825 in Addiscombe, and he joined the Bengal Engineers in 1828. Through his family’s established connection with the Inglis and Lister families, he became acquainted with Harry Inglis and his Anglo-Indian wife Sophia (nee Lister). He may well have received gifts of objects that Harry had acquired as proceeds from his Indian military campaigns. Harry was the son and heir of George Inglis who owned Inglis & Co., a large Indian trading company. During his time in India, Charles Guthrie enhanced his collections with acquisitions financed by his army pay and also income from properties in his late mother’s estate. He subsequently retired at the honorary rank of Colonel in 1857, although he returned to England in 1855, at the same time as Harry and Sophia, due to having 2 years of accumulated leave. Following Harry’s death in 1860, his embalmed body was returned to India, accompanied by Sophia and Charles, where it was interred in an above-ground tomb. Sophia inherited Harry’s vast estate, which almost certainly contained many fine jewels and Mughal objects. Sophia began living together with Charles in Calcutta, bearing him a son in 1862. Following a financially significant arrangement being agreed by Sophia with Charles, the two eventually married in 1863 with the family returning to England a short time thereafter. Sophia died in 1866, with Charles being named as an executor with instruction to liquidate her un-itemised English estate which included “jewels, trinkets and shawls”. Soon thereafter, in 1868, Guthrie sold part of his collection of jade and rock crystal objects to The India Museum and his large coin collection to a museum in Germany. Colonel Charles Seton Guthrie died in 1874 and the remainder of his collections was sold at auction, in accordance with the terms of his will, with many objects finding their way into other important collections and then subsequently to the museum. |
Summary | The octagonal box was made within the Mughal empire, probably in the late 17th or early 18th century. The box and its cover are each fashioned to a very high standard from off-white nephrite jade that contains a few brownish, iron-stained, naturally occurring fractures.The box is made from a signle block of nephrite jade, and has a smooth, polished interior with a flat, smooth and polished underside. Its stepped rim has an elevated inner edge for keeping the cover in place. The side panels have been carved with a floral design in low relief, with each panel being bounded by a thin, raised border. The carved decoration is formed of two sets of four designs, with each pair of designs appearing on opposite sides of the box. The cover has also been carved from a single piece of nephrite and is gently domed with a smooth, polished interior. The only decoration is a set of shallow channels carved into the surface, joining the opposite corners of the octagon, giving eight identical isosceles triangle shaped segments. The upper surface has also been divided into eight isosceles triangle-shaped panels, each similarly carved and decorated to those on the box. The finial is part of the same piece of jade, and is carved in low relief as a multi-petalled flower bud surrounded by two superimposed rings of decoration, also in low relief. One ring is composed of eight leaves lying flat on the cover and pointing down the junctions between the panels. The second ring is of eight petals, recurved at their tips, pointing down through the apexes of the panels. The vertical rim allows the cover to be located securely onto the box and is decorated with broad chevrons in low relief, all pointing in the opposite direction to those on its two neighbouring sides. The box and cover fit perfectly together, and the craftsmanship is of such a high standard that it seems almost certain that they were made in the imperial workshops in Delhi or Agra. The box was used to hold pan (pronounced paan), the concoction of spices and chopped areca nut wrapped in a leaf of the betel tree which is chewed to aid digestion. The preparation and presentation of pan required an array of utensils and vessels. If these were to be used at court, they were often made of precious materials, including jade. The box was previously owned by the notable collector of Mughal jade and rock crystal objects, Colonel Charles Seton Guthrie who sold it with other objects from his collection to the Indian Museum in Leadenhall Street, London, in 1868. They were all transferred to the South Kensington Museum, later renamed the Victoria and Albert Museum, in 1879. |
Bibliographic reference | The art of India and Pakistan, a commemorative catalogue of the exhibition held at the Royal Academy of Arts, London, 1947-8. Edited by Sir Leigh Ashton. London: Faber and Faber, [1950]
p. 226, cat. no. 1128
Susan Stronge, ‘The Lapidary Arts in the Mughal Empire’, in Roda Ahluwalia, ed. Reflections on Mughal Art & Culture, Niyogi Books/The K.R. Cama Oriental Institute, Mumbai, 2021, pp. 182-207. See fig. 14, p. 200 for a view of the lid of the box. |
Collection | |
Accession number | 02589&A/(IS) |
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Record created | October 14, 2006 |
Record URL |
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