Shortly Before Dawn
Photograph
ca. 1936-1939 (made)
ca. 1936-1939 (made)
| Artist/Maker | |
| Place of origin |
Bayer had a varied and influential career as a designer, painter, photographer, sculptor, art director and architect. He taught at the Bauhaus school in Dessau, Germany, and later took an interest in photomontage, both in his artistic work and advertising. Using this process, he combined his photographs with found imagery, producing surreal or dreamlike pictures.
Object details
| Categories | |
| Object type | |
| Title | Shortly Before Dawn (assigned by artist) |
| Materials and techniques | printer's ink, paper, photomontage, photography |
| Brief description | Photograph by Herbert Bayer, 'Shortly Before Dawn', 1932-9, gelatin silver print |
| Physical description | Photomontage dreamscape featuring objects that vary in shape: from amorphous to natural to geometric |
| Dimensions |
|
| Style | |
| Marks and inscriptions |
|
| Gallery label | Photography Centre 2018-20:
Herbert Bayer (1900–1985)
Shortly Before Dawn
1932–39
Bayer had a varied and influential career as a designer, painter, photographer, sculptor, art director and architect. He taught at the Bauhaus school in Dessau, Germany, and later took an interest in photomontage, both in his artistic work and advertising. Using this process, he combined his photographs with found imagery, producing surreal or dreamlike pictures.
Gelatin silver print, printed 1968
Museum no. CIRC.739-1968 |
| Credit line | Acquired from Marlborough Fine Art Ltd., London in 1968. |
| Historical context | Herbert Bayer was one of the leading figures in the Bauhaus movement in Germany and throughout his career was a highly influential graphic designer and artist. Bayer began to experiment with photography while he was teaching advertising, typography and layout at the Bauhaus school in Dessau. He produced some straight photographs, highlighting the abstract structures and sculptural qualities of things, but was never interested in the technical side of photography and so his exploration of straight photography was limited. He left the Bauhaus in 1928 and established himself as a leading designer. It was at this stage that he took and interest in photomontage. He used the technique for his own artistic work but also in advertising work, where he was partly responsible for establishing photomontage as a key commercial visual style in the 1930s. His main body of photographic work was produced in the late 1920s and the 1930s, after which he continued to develop other areas of visual design. |
| Subjects depicted | |
| Summary | Bayer had a varied and influential career as a designer, painter, photographer, sculptor, art director and architect. He taught at the Bauhaus school in Dessau, Germany, and later took an interest in photomontage, both in his artistic work and advertising. Using this process, he combined his photographs with found imagery, producing surreal or dreamlike pictures. |
| Bibliographic references |
|
| Collection | |
| Accession number | CIRC.739-1968 |
About this object record
Explore the Collections contains over a million catalogue records, and over half a million images. It is a working database that includes information compiled over the life of the museum. Some of our records may contain offensive and discriminatory language, or reflect outdated ideas, practice and analysis. We are committed to addressing these issues, and to review and update our records accordingly.
You can write to us to suggest improvements to the record.
Suggest feedback
You can write to us to suggest improvements to the record.
Suggest feedback
| Record created | October 11, 2006 |
| Record URL |
Download as: JSON
