Toledo, Puerta del Sol
Photograph
1850s (photographed)
1850s (photographed)
Artist/Maker | |
Place of origin |
Mounted sepia-coloured photograph of a view of a rectangular gateway with a semicircular top. The horseshoe arch entry is flanked by two towers. Remains of a Paleochristian sarcophagus from the 4th century that lie in the middle of the blind arches has a relief with the cathedral's emblem emblazoned upon it, which represents the placing of San Idelfonso's cassock under the Sun and the Moon which has given the doorway its actual name.
Object details
Categories | |
Object type | |
Title | Toledo, Puerta del Sol (generic title) |
Materials and techniques | Albumen print from wet collodion negative |
Brief description | Photograph by Charles Clifford, 'Toledo, Puerta del Sol', albumen print, ca. 1850s |
Physical description | Mounted sepia-coloured photograph of a view of a rectangular gateway with a semicircular top. The horseshoe arch entry is flanked by two towers. Remains of a Paleochristian sarcophagus from the 4th century that lie in the middle of the blind arches has a relief with the cathedral's emblem emblazoned upon it, which represents the placing of San Idelfonso's cassock under the Sun and the Moon which has given the doorway its actual name. |
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Marks and inscriptions |
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Credit line | Transferred from the British Museum |
Object history | This photograph was acquired by the British Museum in 1857 than transferred in 2000 as plan to rationalise the collection and house objects at the V&A where greater expertise and national collections of particular media reside. |
Historical context | Charles Clifford is considered among the finest photographers in nineteenth-century Spain, where he spent most of his career. Settling in Madrid in the early 1850s, Clifford became court photographer to Isabella II and accompanied the Queen on a number of royal tours within the country. Clifford specialised in the photography of architectural subjects and industrial projects and his work is particularly notable for his technical mastery of the large format view. His unusual treatment of architectural spaces has made him one of the most famous 19th century photographers in Spain. He belonged to both the Sociéte Française de Photographie and the Architectural Photographic Association. |
Subjects depicted | |
Place depicted | |
Collection | |
Accession number | E.1259-2000 |
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Record created | October 4, 2006 |
Record URL |
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