Manicure Case
1955 (made)
Artist/Maker | |
Place of origin |
The Needlework Development Scheme (NDS) was established in 1934 to encourage embroidery and to raise the standard of design in Britain. Organised by four Scottish art schools, Aberdeen, Dundee, Edinburgh and Glasgow, its collection of foreign and British embroidery was available to domestic science and training colleges, women's institutions and schools, as well as art schools. By 1939, the Scheme had acquired some 900 embroideries but the outbreak of WWII closed the Scheme and the collection was retained by the four original art schools. Glasgow School of Art was instrumental in re-starting the scheme late in 1944 and the NDS was gradually expanded to encompass other art schools in the United Kingdom where embroidery was taught. The NDS was disbanded in 1961 when funding was withdrawn, although it was recognised that the Scheme had achieved its aims. Its collection was divided and distributed to various organisations including the Embroiderers Guild, The National Museum of Scotland and the V&A.
Elizabeth Geddes trained at Reading University of Art as a book illustrator and wood engraver, before studying hand and machine embroidery. She did freelance work for the NDS as creative assistant to Iris Hills, 'Expert in Charge'.
Elizabeth Geddes trained at Reading University of Art as a book illustrator and wood engraver, before studying hand and machine embroidery. She did freelance work for the NDS as creative assistant to Iris Hills, 'Expert in Charge'.
Object details
Categories | |
Object type | |
Parts | This object consists of 8 parts.
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Materials and techniques | Hand-embroidered silk in silk and gold threads, inset with glass |
Brief description | Manicure case of hand-embroidered silk in silk and gold threads, designed and embroidered by Elizabeth Geddes, Glasgow, 1955 |
Physical description | Manicure case made from dull pink silk richly hand-embroidered in fine silks and Japanese gold thread. The stitches used include split, satin, chain, laid fillings and French knots. Inset with Indian mirror glass held in position with traditional interlacing stitches. |
Dimensions |
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Production type | Mass produced |
Credit line | Given by the Needlework Development Scheme |
Object history | The design is based on Sindh embroidery on Circ.239-1962. An example of the work of the Needlework Development Scheme, designed to improve the standard of embroidery in Scotland and to provide domestic science training in colleges, women's institutes and art schools. |
Production | NDS Collection |
Summary | The Needlework Development Scheme (NDS) was established in 1934 to encourage embroidery and to raise the standard of design in Britain. Organised by four Scottish art schools, Aberdeen, Dundee, Edinburgh and Glasgow, its collection of foreign and British embroidery was available to domestic science and training colleges, women's institutions and schools, as well as art schools. By 1939, the Scheme had acquired some 900 embroideries but the outbreak of WWII closed the Scheme and the collection was retained by the four original art schools. Glasgow School of Art was instrumental in re-starting the scheme late in 1944 and the NDS was gradually expanded to encompass other art schools in the United Kingdom where embroidery was taught. The NDS was disbanded in 1961 when funding was withdrawn, although it was recognised that the Scheme had achieved its aims. Its collection was divided and distributed to various organisations including the Embroiderers Guild, The National Museum of Scotland and the V&A. Elizabeth Geddes trained at Reading University of Art as a book illustrator and wood engraver, before studying hand and machine embroidery. She did freelance work for the NDS as creative assistant to Iris Hills, 'Expert in Charge'. |
Collection | |
Accession number | CIRC.240-1962 |
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Record created | September 30, 2006 |
Record URL |
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