Ring thumbnail 1
Ring thumbnail 2
Image of Gallery in South Kensington
On display at V&A South Kensington
Jewellery, Rooms 91, The William and Judith Bollinger Gallery

Ring

1959-1960 (designed and made)
Artist/Maker
Place of origin

This innovative ring, described by its designer Saara Hopea-Untracht as a 'Wing' ring, extends both above and below the band and across the adjoining two fingers, to create an extensive jewelled area on the back of the hand.

Saara Hopea-Untracht, one of Finland's leading twentieth-century designers, worked in many media. From a family of goldsmiths, she began designing jewellery in 1958, and her designs were made in the family workshop in the town of Porvoo. She had originally trained as a glass worker but moved back into jewellery after her father's death made her essential to the family business. She mastered the art of goldsmithing but also worked closely with Karl-Göran Ahlberg, the goldsmith who collaborated with her on many of her designs.


Object details

Categories
Object type
Materials and techniques
Silver and turquoise
Brief description
Silver ring with a large bezel, decorated with turquoises, designed and made by Saara Hopea-Untracht, Finland, 1959-1960
Physical description
Silver ring with a large bezel that extends across three fingers, decorated with an arrangement of nineteen turquoises.
Dimensions
  • Height: 5cm
  • Width: 5.2cm
  • Depth: 2.5cm
Marks and inscriptions
  • 'OH' (Sponsor's mark for Ossian Hopea)
  • Crown (Assay Office mark)
  • '916' (Silver quality mark)
  • 'C' (Symbol for the town of Porvoo)
  • 'G7' (Date mark for 1960)
Credit line
Given by Oppi Untracht
Summary
This innovative ring, described by its designer Saara Hopea-Untracht as a 'Wing' ring, extends both above and below the band and across the adjoining two fingers, to create an extensive jewelled area on the back of the hand.

Saara Hopea-Untracht, one of Finland's leading twentieth-century designers, worked in many media. From a family of goldsmiths, she began designing jewellery in 1958, and her designs were made in the family workshop in the town of Porvoo. She had originally trained as a glass worker but moved back into jewellery after her father's death made her essential to the family business. She mastered the art of goldsmithing but also worked closely with Karl-Göran Ahlberg, the goldsmith who collaborated with her on many of her designs.
Associated objects
Bibliographic reference
Ramshaw, Wendy, Saara Hopea-Untracht, 1925-1984, Metalsmith, Fall 1984, Vol. 4 Issue 4, p.6
Collection
Accession number
M.10-2006

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Record createdSeptember 26, 2006
Record URL
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