Wedgwood thumbnail 1
Wedgwood thumbnail 2
+4
images
On display
Image of Gallery in South Kensington

Wedgwood

Biscuit Tin
1932 (made)
Artist/Maker
Place of origin

The British biscuit tin came about when the Licensed Grocer's Act of 1861 allowed groceries to be individually packaged and sold. Coinciding with the removal of the duty on paper for printed labels. It was only a short step to the idea of printing directly on to tinplate. The new process of offset lithography, patented in 1877 allowed multicoloured designs to be printed on to exotically shaped tins.

The most exotic designs were produced in the early years of the 20th century, just prior to the First World War. In the 1920s and 1930s, costs had risen substantially and the design of biscuit tins tended to be more conservative, with the exception of the tins targeted at the Christmas market and intended to appeal primarily to children. The designs, generally speaking are a barometer of popular interests.

The advent of the Second World War stopped all production of decorative tin ware and after it ended in 1945, the custom never really revived.

Object details

Categories
Object type
Titles
  • Wedgwood (trade title)
  • M.J. Franklin Collection of British Biscuit Tins (named collection)
Materials and techniques
Tin plate, off set litho printed, embossed.
Brief description
Biscuit tin, `Wedgwood Casket', tinplate, offset litho printed, England, made for Wm. Crawford and Sons, 1932.
Physical description
Biscuit tin of tin plate in the shape of a rectangular casket simulating Wedgwood jasperware, offset litho printed. The ends curve inwards and the box rests on four feet, one at each corner, in the shape of a dolphin's head, gilt. The box decorated with embossed decoration, off white against a dark blue background, the lid with a rectangular cklssical frienze edgeds with palmettes, the walls decorated with embossed laurel leaves at each end and in the centre of each panel a cluster of musical instruments.
Dimensions
  • Height: 10cm
  • Width: 23.8cm
  • Depth: 12.4cm
Production typeMass produced
Credit line
Given by M. J. Franklin
Object history
Gift of Michael J. Franklin
Historical context
The British biscuit tin came about when the Licensed Grocer's Act of 1861 allowed groceries to be individually packaged and sold. Coinciding with the removal of the duty on paper for printed labels. It was only a short step to the idea of printing directly on to tinplate. This development is first credited to Owen Jones who was a consultant designer to the stationary printers, Thomas de la Rue. He designed the first biscuit tin, transfer-printed and issued in 1868 for the firm of Huntley & Palmers. Other firms were quick to respond and a whole new industry was born. The new process of offset lithography, patented in 1877 allowed multicoloured designs to be printed on to exotically shaped tins.

The most exotic designs were produced in the early years of this century, just prior to the First World War. In the 1920s and 1930s, costs had risen substantially and the design of biscuit tins tended to be more conservative, with the exception of the tins targeted at the Christmas market and intended to appeal primarily to children. The designs, generally speaking are a barometer of popular interests.

The advent of the Second World War stopped all production of decorative tin ware and after it ended in 1945, the custom never really revived.
[Eric Turner, 'British Design at Home', p.126]
Production
Reason For Production: Retail
Subjects depicted
Summary
The British biscuit tin came about when the Licensed Grocer's Act of 1861 allowed groceries to be individually packaged and sold. Coinciding with the removal of the duty on paper for printed labels. It was only a short step to the idea of printing directly on to tinplate. The new process of offset lithography, patented in 1877 allowed multicoloured designs to be printed on to exotically shaped tins.

The most exotic designs were produced in the early years of the 20th century, just prior to the First World War. In the 1920s and 1930s, costs had risen substantially and the design of biscuit tins tended to be more conservative, with the exception of the tins targeted at the Christmas market and intended to appeal primarily to children. The designs, generally speaking are a barometer of popular interests.

The advent of the Second World War stopped all production of decorative tin ware and after it ended in 1945, the custom never really revived.
Bibliographic references
  • Michael Franklin, British Biscuit Tins, London, Victoria and Albert Museum, 1984, ISBN. 0905209621
Collection
Accession number
M.157-1983

About this object record

Explore the Collections contains over a million catalogue records, and over half a million images. It is a working database that includes information compiled over the life of the museum. Some of our records may contain offensive and discriminatory language, or reflect outdated ideas, practice and analysis. We are committed to addressing these issues, and to review and update our records accordingly.

You can write to us to suggest improvements to the record.

Suggest feedback

Record createdSeptember 26, 2006
Record URL
Download as: JSON