Plaque
1965-1975 (made)
Artist/Maker | |
Place of origin |
Zhou Enlai was premier from the founding of the Chinese People's Republic in 1949 until his death in 1976. Although of photographic accuracy and reproducing the tonalities of a photograph, this portrait was actually painstakingly painted in enamels by the artist, Wu Kang.
The inscription reads: 'Jingdezhen Art Porcelain Factory, an attempt at portrait painting in the fencai style by Wu Kang', with the seal of Wu Kang reproduced at the bottom right. It is very rare for a Jingdezhen porcelain to be signed by the maker, the signature here being permissible because Wu Kang was considered an artist rather than a craftsman; he worked in the 'art porcelain factory' and featured in the Register of Famous Porcelain Artists at Jingdezhen, published about 1989. To be able to substitute the manual technique of painting for the mechanical process of photography is considered an 'art', and Wu Kang was praised for his ability to paint portraits that are very lifelike while at the same time bringing out the inner personality of the sitter. Implicit in such praise is an understanding that a photograph can depict only the appearance, not the spirit of a person. The 'fencai style' (literally 'powdered colours') mentioned in the inscription refers to a palette incorporating pink enamel, in this case only used the subtly on the face of the sitter. Black is the predominant colour, which is in keeping with the austere style of life at that time.
The inscription reads: 'Jingdezhen Art Porcelain Factory, an attempt at portrait painting in the fencai style by Wu Kang', with the seal of Wu Kang reproduced at the bottom right. It is very rare for a Jingdezhen porcelain to be signed by the maker, the signature here being permissible because Wu Kang was considered an artist rather than a craftsman; he worked in the 'art porcelain factory' and featured in the Register of Famous Porcelain Artists at Jingdezhen, published about 1989. To be able to substitute the manual technique of painting for the mechanical process of photography is considered an 'art', and Wu Kang was praised for his ability to paint portraits that are very lifelike while at the same time bringing out the inner personality of the sitter. Implicit in such praise is an understanding that a photograph can depict only the appearance, not the spirit of a person. The 'fencai style' (literally 'powdered colours') mentioned in the inscription refers to a palette incorporating pink enamel, in this case only used the subtly on the face of the sitter. Black is the predominant colour, which is in keeping with the austere style of life at that time.
Object details
Categories | |
Object type | |
Materials and techniques | Porcelain painted in coloured enamels |
Brief description | Plaque by Wu Kang (b.1914) porcelain painted with coloured enamels, China, 1965-1975 |
Physical description | Plaque of porcelain, rectangular in shape and decorated with a portrait of a figure; Zhou Enlai, premier of The Chinese People's Republic from 1949 to 1976. |
Dimensions |
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Marks and inscriptions | 'Jingdezhen Art Porcelain Factory, an attempt at portrait painting in the fencai style by Wu Kang' |
Credit line | Simon Kwan gift |
Subject depicted | |
Summary | Zhou Enlai was premier from the founding of the Chinese People's Republic in 1949 until his death in 1976. Although of photographic accuracy and reproducing the tonalities of a photograph, this portrait was actually painstakingly painted in enamels by the artist, Wu Kang. The inscription reads: 'Jingdezhen Art Porcelain Factory, an attempt at portrait painting in the fencai style by Wu Kang', with the seal of Wu Kang reproduced at the bottom right. It is very rare for a Jingdezhen porcelain to be signed by the maker, the signature here being permissible because Wu Kang was considered an artist rather than a craftsman; he worked in the 'art porcelain factory' and featured in the Register of Famous Porcelain Artists at Jingdezhen, published about 1989. To be able to substitute the manual technique of painting for the mechanical process of photography is considered an 'art', and Wu Kang was praised for his ability to paint portraits that are very lifelike while at the same time bringing out the inner personality of the sitter. Implicit in such praise is an understanding that a photograph can depict only the appearance, not the spirit of a person. The 'fencai style' (literally 'powdered colours') mentioned in the inscription refers to a palette incorporating pink enamel, in this case only used the subtly on the face of the sitter. Black is the predominant colour, which is in keeping with the austere style of life at that time. |
Bibliographic reference | Liefkes, Reino and Hilary Young (eds.) Masterpieces of World Ceramics in the Victoria and Albert Museum. London: V&A Publishing, 2008, pp. 136-137.
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Collection | |
Accession number | FE.36-1990 |
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Record created | September 21, 2006 |
Record URL |
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