Master James Crow thumbnail 1
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Master James Crow

Print
1840 (printed and published)
Artist/Maker
Place of origin

Winsome children humorously aping the manners of adults were a popular subject for genre scenes. In the 1830s the artist William Henry Hunt exhibited a series of twenty such images at the Old Water-Colour Society in London. These were later produced as lithographs and published as Hunt’s Comic Sketches (1844). The series included two images of black children. This image, which was originally exhibited as 'Jim Crow' but re-titled 'Master James Crow – Out of his Element', and a companion piece 'Miss Jem-ima Crow', re-titled 'Miss Jim-Ima Crow – A West Indian Cinderella' (museum number E.333-1901).

Both works appear to have been painted from living models who have been posed with studio props to suggest a narrative. James Crow (whose name references ‘Jim Crow’ the comic blackface act first seen in London in 1836) is ‘out of his element’, i.e. away from the heat of his supposed homeland, and has to warm himself in front of the stove. Tending the fire was a common duty of black domestic servants in British homes, many of whom were boys or young men.


Object details

Categories
Object type
TitleMaster James Crow (assigned by artist)
Materials and techniques
Lithograph
Brief description
'Master James Crow', lithograph by Thomas Fairland after William Henry Hunt, 1840
Physical description
Lithograph depicting black boy sitting on small barrel with bellows on the floor beside him. He warms his hands against a stove.
Dimensions
  • Height: 55.9cm
  • Width: 40.6cm
Subject depicted
Summary
Winsome children humorously aping the manners of adults were a popular subject for genre scenes. In the 1830s the artist William Henry Hunt exhibited a series of twenty such images at the Old Water-Colour Society in London. These were later produced as lithographs and published as Hunt’s Comic Sketches (1844). The series included two images of black children. This image, which was originally exhibited as 'Jim Crow' but re-titled 'Master James Crow – Out of his Element', and a companion piece 'Miss Jem-ima Crow', re-titled 'Miss Jim-Ima Crow – A West Indian Cinderella' (museum number E.333-1901).

Both works appear to have been painted from living models who have been posed with studio props to suggest a narrative. James Crow (whose name references ‘Jim Crow’ the comic blackface act first seen in London in 1836) is ‘out of his element’, i.e. away from the heat of his supposed homeland, and has to warm himself in front of the stove. Tending the fire was a common duty of black domestic servants in British homes, many of whom were boys or young men.
Bibliographic references
  • Image of the Black, Vol. IV, Part 2, Cambridge, Mass. & London, England: Harvard University Press, 1989, pp.61 & 2
  • Black Victorians, Black People in British Art. Edited by Jan Marsh, Lund Humphries, 2005, p.136
Collection
Accession number
E.332-1901

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Record createdSeptember 8, 2006
Record URL
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