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The Skinning of the Aboma Snake, shot by Capt. Stedman
Print
1796 (made)
1796 (made)
Artist/Maker | |
Place of origin |
The Dutch captured the British colony of Suriname during the Second Anglo-Dutch War (1667). Under the West India Company it was developed as a plantation slave society and became a primary destination for the Dutch slave trade. The brutal regime caused high mortality; despite the import of 300,000 slaves between 1668 and 1823, the population never grew beyond 50,000. ‘Maroonage’ became the major form of resistance. Fugitive slaves, or ‘maroons’, escaped inland to form permanent communities from where they waged a campaign of guerrilla warfare against the Dutch.
In 1774 the Scottish-Dutch soldier John Gabriel Stedman witnessed the brutal oppression of slaves during a campaign against the maroons, which he described in his Narrative of a Five Years Expedition Against the Revolted Negroes of Surinam. The book, which included illustrations by William Blake, was adopted by those who advocated the abolition of the slave trade, though Stedman was thought to support reform rather than abolition.
This image by Blake shows a black slave, named in Stedman's text as David, climbing up a huge boa constrictor in order to begin skinning the snake. The figure in the lower left is probably Stedman.
In 1774 the Scottish-Dutch soldier John Gabriel Stedman witnessed the brutal oppression of slaves during a campaign against the maroons, which he described in his Narrative of a Five Years Expedition Against the Revolted Negroes of Surinam. The book, which included illustrations by William Blake, was adopted by those who advocated the abolition of the slave trade, though Stedman was thought to support reform rather than abolition.
This image by Blake shows a black slave, named in Stedman's text as David, climbing up a huge boa constrictor in order to begin skinning the snake. The figure in the lower left is probably Stedman.
Object details
Categories | |
Object type | |
Title | The Skinning of the Aboma Snake, shot by Capt. Stedman (assigned by artist) |
Materials and techniques | Engraving |
Brief description | 'The Skinning of the Aboma Snake, shot by Capt. Stedman', print by William Blake, 1796 |
Physical description | Print depicting a black slave, named as David in Stedman's text, climbing up a huge boa constrictor hanging from a tree in order to begin skinning the snake. The figure in the lower left is probably Capt. Stedman. Two other naked, black slaves are pulling on a rope to hold the snake upright on the tree while it is being skinned by David. There is a long bayonet resting on the tree trunk. There are plants and trees in the background, as well as a small boat in the river. |
Dimensions |
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Marks and inscriptions | Bottom right:
Blake Sculpt. |
Object history | NB: The term "negro" was used historically to describe people of black African heritage but, since the 1960s, has fallen from usage and, increasingly, is considered offensive. The term is repeated here in its original historical context. |
Subjects depicted | |
Place depicted | |
Summary | The Dutch captured the British colony of Suriname during the Second Anglo-Dutch War (1667). Under the West India Company it was developed as a plantation slave society and became a primary destination for the Dutch slave trade. The brutal regime caused high mortality; despite the import of 300,000 slaves between 1668 and 1823, the population never grew beyond 50,000. ‘Maroonage’ became the major form of resistance. Fugitive slaves, or ‘maroons’, escaped inland to form permanent communities from where they waged a campaign of guerrilla warfare against the Dutch. In 1774 the Scottish-Dutch soldier John Gabriel Stedman witnessed the brutal oppression of slaves during a campaign against the maroons, which he described in his Narrative of a Five Years Expedition Against the Revolted Negroes of Surinam. The book, which included illustrations by William Blake, was adopted by those who advocated the abolition of the slave trade, though Stedman was thought to support reform rather than abolition. This image by Blake shows a black slave, named in Stedman's text as David, climbing up a huge boa constrictor in order to begin skinning the snake. The figure in the lower left is probably Stedman. |
Associated objects |
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Collection | |
Accession number | E.1215I-1886 |
About this object record
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Record created | August 24, 2006 |
Record URL |
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