A putto holding the Crown and Coat of Arms of Scotland
Relief
ca. 1686 (made)
ca. 1686 (made)
Artist/Maker | |
Place of origin |
This relief forms a pair with that showing a putto holding the crown and coat of arms of Ireland (Museum no. A.4-1973). The shape, subject and style of both suggest they may have formed part of an altarpiece erected in Whitehall Palace during the short reign of James II, who was a Roman Catholic.
The altarpiece at Whitehall Palace was dismantled following the fire of 1695, and re-erected as the high altar of Westminster Abbey in 1706. In about 1820 it was moved to Burnham-on-Sea, in Somerset. The figurative style of the putti recalls both the surviving fragments from the altarpiece at Burnham-on-Sea, and other known works by Grinling Gibbons and Arnold Quellin.
Although celebrated as a carver of wood sculpture, Gibbons also produced a number of marble church monuments. During the period in which Quellin worked with Gibbons, some particularly fine pieces were produced; Quellin had been trained in the Netherlands and was highly skilled as a marble carver. Gibbons may have met him in Amsterdam, where he too probably trained.
The altarpiece at Whitehall Palace was dismantled following the fire of 1695, and re-erected as the high altar of Westminster Abbey in 1706. In about 1820 it was moved to Burnham-on-Sea, in Somerset. The figurative style of the putti recalls both the surviving fragments from the altarpiece at Burnham-on-Sea, and other known works by Grinling Gibbons and Arnold Quellin.
Although celebrated as a carver of wood sculpture, Gibbons also produced a number of marble church monuments. During the period in which Quellin worked with Gibbons, some particularly fine pieces were produced; Quellin had been trained in the Netherlands and was highly skilled as a marble carver. Gibbons may have met him in Amsterdam, where he too probably trained.
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Object details
Category | |
Object type | |
Title | A putto holding the Crown and Coat of Arms of Scotland (generic title) |
Materials and techniques | Marble |
Brief description | Relief, marble, putto, crown and coat of arms of Scotland, in the style of Arnold Quellin or Grinling Gibbons, England, ca. 1686 |
Physical description | Sculpture, marble. On of a pair. The naked putto looking towards his right, stands on a leafy mound. In his raised right hand he brandishes a thistle. With his left he supports a crown which surmounts a large auricular cartouche. On the cartouche there is a lion rampant. Fracture across the top right corner. The surface of the marble is weathered. |
Dimensions |
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Gallery label |
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Credit line | Given by Dr W.L. Hildburgh FSA |
Object history | Purchased from Peter Hone Antiques, 110 Islington High Street London, together with A.4-1973 for £600, using funds from the Hildburgh Bequest. |
Subjects depicted | |
Summary | This relief forms a pair with that showing a putto holding the crown and coat of arms of Ireland (Museum no. A.4-1973). The shape, subject and style of both suggest they may have formed part of an altarpiece erected in Whitehall Palace during the short reign of James II, who was a Roman Catholic. The altarpiece at Whitehall Palace was dismantled following the fire of 1695, and re-erected as the high altar of Westminster Abbey in 1706. In about 1820 it was moved to Burnham-on-Sea, in Somerset. The figurative style of the putti recalls both the surviving fragments from the altarpiece at Burnham-on-Sea, and other known works by Grinling Gibbons and Arnold Quellin. Although celebrated as a carver of wood sculpture, Gibbons also produced a number of marble church monuments. During the period in which Quellin worked with Gibbons, some particularly fine pieces were produced; Quellin had been trained in the Netherlands and was highly skilled as a marble carver. Gibbons may have met him in Amsterdam, where he too probably trained. |
Associated object | A.4-1973 (Pair) |
Bibliographic references |
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Collection | |
Accession number | A.3-1973 |
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Record created | August 14, 2006 |
Record URL |
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