Philip Dormer Stanhope, Fourth Earl of Chesterfield
Bust
ca. 1745 (made)
ca. 1745 (made)
| Artist/Maker | |
| Place of origin |
The classical format of the portrait, showing the sitter without a wig, and with undraped shoulders, as well as eyes deeply incised, may have been suggested by Lord Chesterfield himself, who in his famous letters to his son gave constant advice about education and manners, frequently citing the importance of Roman Antiquity as a guide. In the letter to his son of 17 May 1745 he speaks with admiration of a bust of Cicero he has just added to his library.
The sculptor Louis François Roubiliac (1705-1762) was one of the leading sculptors of his generation, and his busts and monuments are among the most important produced in Britain in the first half of the 18th century. He was born in Lyons, and probably trained in Dresden. He was later in Paris, but from 1730 he was based in London, apart from a brief visit to Rome in 1752.
The sculptor Louis François Roubiliac (1705-1762) was one of the leading sculptors of his generation, and his busts and monuments are among the most important produced in Britain in the first half of the 18th century. He was born in Lyons, and probably trained in Dresden. He was later in Paris, but from 1730 he was based in London, apart from a brief visit to Rome in 1752.
Object details
| Categories | |
| Object type | |
| Title | Philip Dormer Stanhope, Fourth Earl of Chesterfield (generic title) |
| Materials and techniques | Bronze |
| Brief description | Bust, bronze, Philip Dormer Stanhope, 4th Earl of Chesterfield, by Louis-Francois Roubiliac, English, ca. 1745 |
| Physical description | The subject looks to his half left. The bust terminates between the base of the neck and hte edge of the shoulder. |
| Dimensions |
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| Gallery label |
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| Object history | Purchased from Alfred Spero, London, in 1959, for £90. Historical significance: The classical format of the portrait, showing the sitter without a wig, and with undraped shoulders, as well as eyes deeply incised, may have been suggested by Lord Chesterfield himself, who in his famous letters to his son gave constant advice about education and manners, frequently citing the importance of Roman Antiquity as a guide. In the letter to his son of 17 May 1745 he speaks with admiration of a bust of Cicero he has just added to his library. |
| Subject depicted | |
| Summary | The classical format of the portrait, showing the sitter without a wig, and with undraped shoulders, as well as eyes deeply incised, may have been suggested by Lord Chesterfield himself, who in his famous letters to his son gave constant advice about education and manners, frequently citing the importance of Roman Antiquity as a guide. In the letter to his son of 17 May 1745 he speaks with admiration of a bust of Cicero he has just added to his library. The sculptor Louis François Roubiliac (1705-1762) was one of the leading sculptors of his generation, and his busts and monuments are among the most important produced in Britain in the first half of the 18th century. He was born in Lyons, and probably trained in Dresden. He was later in Paris, but from 1730 he was based in London, apart from a brief visit to Rome in 1752. |
| Bibliographic references |
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| Collection | |
| Accession number | A.17-1959 |
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| Record created | August 14, 2006 |
| Record URL |
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