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Sir George Savile (1726–84)

Bust
1784 (made)
Artist/Maker
Place of origin

Sir George Savile (1726-1784) was a well-known independent Whig politician who never held office. The image is based on a death mask. In her London diary of 1786 Sophie von la Roche recorded a visit to the studio of the sculptor Joseph Nollekens. She noted, '… Mr Nollekens had over six bust portraits of the estimable Savile to complete for his friends, two of whom sent for him with great dispatch on the death of Savile, so as to have an immediate cast of his features. He showed us this mould, from which it is evident that the good man had passed beyond all feeling … the veins were still pulsing with the last beats of his charitable heart; pensiveness and spiritual suffering still left their mark on the tender, manly features'.

Joseph Nollekens (1737–1823) was a prolific sculptor of portrait busts and operated a thriving workshop in London. Many of his busts are in the classical style with loose drapery, as seen here. He spent eight years in Rome from 1762 to 1770, where he worked with Bartolomeo Cavaceppi restoring and copying antique marbles. One of these copies, his group of Castor and Pollux, is in the Museum's collection (Museum no. A.59-1940).

Object details

Categories
Object type
TitleSir George Savile (1726–84) (generic title)
Materials and techniques
Marble
Brief description
Bust, marble, Sir George Savile Bt, by Joseph Nollekens, England, 1784
Physical description
Bust, marble. Savile is shown looking to his left with his hair brushed back and curled behind the ears and his shoulders covered with classical drapery.
Dimensions
  • Height: 75.9cm
Gallery label
(2021)
Joseph Nollekens (1737–1823)
Bust of Sir George Savile (1726–84)
Signed and dated 1784

Nollekens spent eight years in Rome studying classical sculpture before returning to London to open a successful workshop. Here he portrays Sir George Savile, a well-known Whig politician of the day. The bust is based on a death mask of Savile and was commissioned by a friend of his. A contemporary diarist who saw the mask in Nollekens’s studio wrote admiringly of its ‘tender, manly features’.

London
Marble
Credit line
Given by Dr W.L. Hildburgh FSA
Object history
Chichester Constable collection; bought by Dr W.L Hildburgh in 1932 from Leitch and Kerin; on loan to the V&A from 1933; Given by Dr W.L Hildburgh F.S.A in 1942.
Subject depicted
Summary
Sir George Savile (1726-1784) was a well-known independent Whig politician who never held office. The image is based on a death mask. In her London diary of 1786 Sophie von la Roche recorded a visit to the studio of the sculptor Joseph Nollekens. She noted, '… Mr Nollekens had over six bust portraits of the estimable Savile to complete for his friends, two of whom sent for him with great dispatch on the death of Savile, so as to have an immediate cast of his features. He showed us this mould, from which it is evident that the good man had passed beyond all feeling … the veins were still pulsing with the last beats of his charitable heart; pensiveness and spiritual suffering still left their mark on the tender, manly features'.

Joseph Nollekens (1737–1823) was a prolific sculptor of portrait busts and operated a thriving workshop in London. Many of his busts are in the classical style with loose drapery, as seen here. He spent eight years in Rome from 1762 to 1770, where he worked with Bartolomeo Cavaceppi restoring and copying antique marbles. One of these copies, his group of Castor and Pollux, is in the Museum's collection (Museum no. A.59-1940).
Bibliographic references
  • Trusted, Marjorie, The Return of the Gods: Neoclassical sculpture in Britain , London, Tate Publication, 2008
  • Trusted, Marjorie, ed. The Making of Sculpture. The Materials and Techniques of European Sculpture. London: 2007 p. 153, pl. 295
  • Bilbey, Diane and Trusted, Marjorie, British Sculpture 1470-2000: A Concise Catalogue of the Collection at the Victoria and Albert Museum. London: V&A Publications, 2002 p. 97, cat.no 132
  • Penny, Nicholas. Catalogue......Ashmolean III, Oxford, 1992, p. 142.
  • Whinney, Margaret, English Sculpture 1720-1830. London: H. M. Stationery Off., 1971 p. 116, cat. no. 35, illus. on p. 117
Collection
Accession number
A.16-1942

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Record createdAugust 14, 2006
Record URL
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