ca. 1935 (made)
| Artist/Maker | |
| Place of origin |
This print is part of a collection of proofs of woodcut and linocuts by Haydn Mackey which represents a varied range of the artists work including magazine and music sheet covers, posters and fine prints. Haydn Reynolds Mackey (1883-1979) was a book illustrator and printmaker whose print work consisted of strongly coloured linocuts and woodcuts. Contrary to their appearance the images were hand-coloured. To achieve the appearance of coloured printing Mackay used an interesting technique, hand colouring the image in opaque oil paint on the reverse of the transparent tracing paper on which the image was printed. He then applied the proof to an oatmeal backing paper with the painted side down. Mackay’s prints were never published on a large scale.
Object details
| Categories | |
| Object type | |
| Materials and techniques | Colour lithograph |
| Brief description | Lithograph printed from a linocut by Haydn Mackey. Cover to ballad-sheet 'The Song of London Town', published by Courtnay Ltd. London; British, 1930s. |
| Physical description | Cover featuring London landmarks in yellow white and black and music notes, all coming out of the end of a trombone. Landmarks identifiable are Westminster and St Stephen's Tower (Big Ben), Tower Bridge, Nelson's Column and Trafalgar Square, St Pauls, Tower of London, Eros statue and Westminster Abbey. Folded once vertically to form a four page booklet. The song and music are inside the leaflet. Advert on the back in black and white features four other song sheets, |
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| Marks and inscriptions |
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| Subjects depicted | |
| Place depicted | |
| Summary | This print is part of a collection of proofs of woodcut and linocuts by Haydn Mackey which represents a varied range of the artists work including magazine and music sheet covers, posters and fine prints. Haydn Reynolds Mackey (1883-1979) was a book illustrator and printmaker whose print work consisted of strongly coloured linocuts and woodcuts. Contrary to their appearance the images were hand-coloured. To achieve the appearance of coloured printing Mackay used an interesting technique, hand colouring the image in opaque oil paint on the reverse of the transparent tracing paper on which the image was printed. He then applied the proof to an oatmeal backing paper with the painted side down. Mackay’s prints were never published on a large scale. |
| Collection | |
| Accession number | E.182-2014 |
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| Record created | August 19, 2013 |
| Record URL |
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