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Cloudy Skies

Print
ca. 1935 (made)
Artist/Maker
Place of origin

This print is part of a collection of proofs of woodcut and linocuts by Haydn Mackey which represents a varied range of the artists work including magazine and music sheet covers, posters and fine prints. Haydn Reynolds Mackey (1883-1979) was a book illustrator and printmaker whose print work consisted of strongly coloured linocuts and woodcuts. Contrary to their appearance the images were hand-coloured. To achieve the appearance of coloured printing Mackay used an interesting technique, hand colouring the image in opaque oil paint on the reverse of the transparent tracing paper on which the image was printed. He then applied the proof to an oatmeal backing paper with the painted side down. Mackay’s prints were never published on a large scale.

Object details

Categories
Object type
TitleCloudy Skies (manufacturer's title)
Materials and techniques
Colour lithograph
Brief description
Lithograph printed from a linocut by Haydn Mackey. Cover to ballad-sheet 'Cloudy Skies', published by Courtnay Ltd. London; British, 1930s.
Physical description
Blue and black striped sky with blue blouds and white lettering. Folded once vertically to form a four page booklet, but with no text in the centre spread.
Dimensions
  • Sheet height: 30.4cm (Note: folded to)
  • Sheet width: 24.3cm (Note: folded to)
Style
Production typeProof
Marks and inscriptions
  • Cloudy Skies / A BALLAD (Top)
  • BY / NORMAN A. DORE / Courtnay Ltd / London (Lower left)
  • PRICE / 6d (Lower right)
  • HM (artist's monogram, below)
  • PRICE / 2/- (Lower right)
Subjects depicted
Summary
This print is part of a collection of proofs of woodcut and linocuts by Haydn Mackey which represents a varied range of the artists work including magazine and music sheet covers, posters and fine prints. Haydn Reynolds Mackey (1883-1979) was a book illustrator and printmaker whose print work consisted of strongly coloured linocuts and woodcuts. Contrary to their appearance the images were hand-coloured. To achieve the appearance of coloured printing Mackay used an interesting technique, hand colouring the image in opaque oil paint on the reverse of the transparent tracing paper on which the image was printed. He then applied the proof to an oatmeal backing paper with the painted side down. Mackay’s prints were never published on a large scale.
Collection
Accession number
E.180-2014

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Record createdAugust 19, 2013
Record URL
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