Ring thumbnail 1
Ring thumbnail 2
Not on display

Ring

2nd century-3rd century (made)
Artist/Maker
Place of origin

The clasped hands engraved on the bezel of this Roman ring are a symbol known as the ‘dextrarum iunctio’ and were a symbol used not only in marriage but to symbolise other contracts or agreements. The gesture is found on medieval and later rings though the meaning should not be seen as identical.

This ring forms part of a collection of 760 rings and engraved gems from the collection of Edmund Waterton (1830-87). Waterton was one of the foremost ring collectors of the nineteenth century and was the author of several articles on rings, a book on English devotion to the Virgin Mary and an unfinished catalogue of his collection (the manuscript is now the National Art Library). Waterton was noted for his extravagance and financial troubles caused him to place his collection in pawn with the London jeweller Robert Phillips. When he was unable to repay the loan, Phillips offered to sell the collection to the Museum and it was acquired in 1871. A small group of rings which Waterton had held back were acquired in 1899.

Object details

Categories
Object type
Materials and techniques
Engraved gold
Brief description
Gold ring, the hoop flattened to form a bezel, and engraved with clasped hands, Roman, 2nd or 3rd century
Physical description
Gold ring, the hoop flattened to form a bezel, and engraved with clasped hands.
Dimensions
  • Height: 2cm
  • Width: 2.1cm
  • Depth: 0.7cm
Style
Subjects depicted
Summary
The clasped hands engraved on the bezel of this Roman ring are a symbol known as the ‘dextrarum iunctio’ and were a symbol used not only in marriage but to symbolise other contracts or agreements. The gesture is found on medieval and later rings though the meaning should not be seen as identical.

This ring forms part of a collection of 760 rings and engraved gems from the collection of Edmund Waterton (1830-87). Waterton was one of the foremost ring collectors of the nineteenth century and was the author of several articles on rings, a book on English devotion to the Virgin Mary and an unfinished catalogue of his collection (the manuscript is now the National Art Library). Waterton was noted for his extravagance and financial troubles caused him to place his collection in pawn with the London jeweller Robert Phillips. When he was unable to repay the loan, Phillips offered to sell the collection to the Museum and it was acquired in 1871. A small group of rings which Waterton had held back were acquired in 1899.

Collection
Accession number
829-1871

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Record createdAugust 3, 2006
Record URL
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