Sparkle Vase thumbnail 1
Sparkle Vase thumbnail 2
On display
Image of Gallery in South Kensington

Sparkle Vase

Sparkle Vase
2012 (designed and made)
Artist/Maker
Place of origin

Ndidi Ekubia uses traditional silversmithing techniques to create visually arresting, functional silverware. Sparkle Vase was made from a flat sheet of silver that was raised into a three-dimensional form using hammers, stakes and heat. Ekubia enjoys working the silver to its limits by stretching and manipulating it through repeated rounds of embossing and chasing, techniques of applying decoration to the front and back of the metal. The careful tool marks on the surface emphasise the fluid form of the vase.

Ndidi Ekubia trained at Wolverhampton Polytechnic, (now the University of Wolverhampton), from 1992-1995 where she undertook a 3D design course involving wood, plastics and metal. She then attended Bishopsland Educational Trust (1995-1996) a post graduate training programme for silversmiths and jewellers and then completed an MA in Silversmithing and Jewellery at the Royal College of Art (1996-1998). Her work characteristically combines traditional silversmithing techniques with innovative design. Born in Manchester to Nigerian parents, her inspiration stems from a combination of the British urban landscape and her African cultural heritage which gives a formal drama and a richly, textured surface quality to her silver.

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watch Pushing silver to its limits – Ndidi Ekubia We joined contemporary silversmith Ndidi Ekubia on a tour of some of her regular sources of inspiration and in her studio in Manchester. 

Object details

Category
Object type
TitleSparkle Vase (assigned by artist)
Materials and techniques
Silver, raised, embossed and chased.
Brief description
Sparkle Vase, silver, London hallmarks for Britannia silver and the Queen's Diamond Jubilee mark, 2012, mark of Ndidi Ekubia, designed and made by Ndidi Ekubia.
Physical description
Vase, silver, of tapered form, rising from a circular base, swelling outwards and returning at the shoulder to a square rim. The surface embossed with a series of wave motifs, chased with a textured surface.
Dimensions
  • Height: 22cm
  • Diameter: 16cm (maximum)
  • Weight: 940.7g
Production typeUnique
Marks and inscriptions
  • London hallmarks for 2012, including the Britannia Standard mark for 958/1000 and the Diamond Jubilee mark. (Stamped on the underside of the base.)
  • Mark of Ndidi Ekubia
Gallery label
(24.10.22)
Sparkle Vase
Silver
Ndidi Ekubia
London hallmarks for 2012

Ndidi Ekubia uses traditional silversmithing techniques to create visually arresting, functional silverware. Sparkle Vase was made from a flat sheet of silver that was raised into a three-dimensional form using hammers, stakes and heat. Ekubia enjoys working the silver to its limits by stretching and manipulating it through repeated rounds of embossing and chasing, techniques of applying decoration to the front and back of the metal. The careful tool marks on the surface emphasise the fluid form of the vase.

Purchase funded by the James Yorke Radleigh Bequest
Museum no. M.21-2013
Credit line
Purchase funded by the James Yorke Radleigh Bequest
Object history
Bought from Adrian Sassoon at COLLECT, 2013
Subject depicted
Summary
Ndidi Ekubia uses traditional silversmithing techniques to create visually arresting, functional silverware. Sparkle Vase was made from a flat sheet of silver that was raised into a three-dimensional form using hammers, stakes and heat. Ekubia enjoys working the silver to its limits by stretching and manipulating it through repeated rounds of embossing and chasing, techniques of applying decoration to the front and back of the metal. The careful tool marks on the surface emphasise the fluid form of the vase.

Ndidi Ekubia trained at Wolverhampton Polytechnic, (now the University of Wolverhampton), from 1992-1995 where she undertook a 3D design course involving wood, plastics and metal. She then attended Bishopsland Educational Trust (1995-1996) a post graduate training programme for silversmiths and jewellers and then completed an MA in Silversmithing and Jewellery at the Royal College of Art (1996-1998). Her work characteristically combines traditional silversmithing techniques with innovative design. Born in Manchester to Nigerian parents, her inspiration stems from a combination of the British urban landscape and her African cultural heritage which gives a formal drama and a richly, textured surface quality to her silver.
Collection
Accession number
M.21-2013

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Record createdJune 24, 2013
Record URL
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