The Maids of Elfen-Mere thumbnail 1
Not currently on display at the V&A

The Maids of Elfen-Mere

Print
ca. 1855 (made)
Artist/Maker
Place of origin

This print, after a design that Rossetti created as an illustration to a ballad by William Allingham, was engraved by the famous Dalziel brothers. The ballad concerns a village where three female apparitions come every night to sing and spin. They always disappear when the clock strikes eleven. A lovesick young man tries to make them stay longer and tricks them by turning back the village clock. The apparitions do indeed sing and spin for longer than usual that night, but they are never seen again. The ballad concludes with the young man pining and dying of a broken heart. Rossetti's characteristic use of tight framing, and the shallow pictorial space, help to create an intense mystical atmosphere.


Object details

Categories
Object type
TitleThe Maids of Elfen-Mere (popular title)
Materials and techniques
Wood engraving
Brief description
Print, illustration to 'The Maids of Elfenmere', by GD Rossetti, engraved by Dalziel Brothers, 19th century.
Physical description
Proof on India paper.
Dimensions
  • Height: 128mm
  • Width: 78mm
  • Sheet height: 151mm
  • Sheet width: 102mm
Credit line
Given by Mr E Dalziel
Historical context
"The Music-Master," by W. Allingham, 1855; reprinted in "Day and Night Songs; and the Music-Master", p.203, 1860; and in "Life and Phantasy", "Flowers Pieces" etc.
Subject depicted
Literary referenceThe Music Master by William Allingham (1855)
Summary
This print, after a design that Rossetti created as an illustration to a ballad by William Allingham, was engraved by the famous Dalziel brothers. The ballad concerns a village where three female apparitions come every night to sing and spin. They always disappear when the clock strikes eleven. A lovesick young man tries to make them stay longer and tricks them by turning back the village clock. The apparitions do indeed sing and spin for longer than usual that night, but they are never seen again. The ballad concludes with the young man pining and dying of a broken heart. Rossetti's characteristic use of tight framing, and the shallow pictorial space, help to create an intense mystical atmosphere.
Bibliographic reference
Hoozee, Robert (ed.), British Vision. Observation and Imagination in British Art 1750-1950, Brussels : Mercatorfonds ; Ghent : Museum voor Schone Kunsten, 2007 267
Collection
Accession number
E.2923-1904

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Record createdJuly 25, 2006
Record URL
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