The Maids of Elfen-Mere
Print
ca. 1855 (made)
ca. 1855 (made)
Artist/Maker | |
Place of origin |
This print, after a design that Rossetti created as an illustration to a ballad by William Allingham, was engraved by the famous Dalziel brothers. The ballad concerns a village where three female apparitions come every night to sing and spin. They always disappear when the clock strikes eleven. A lovesick young man tries to make them stay longer and tricks them by turning back the village clock. The apparitions do indeed sing and spin for longer than usual that night, but they are never seen again. The ballad concludes with the young man pining and dying of a broken heart. Rossetti's characteristic use of tight framing, and the shallow pictorial space, help to create an intense mystical atmosphere.
Object details
Categories | |
Object type | |
Title | The Maids of Elfen-Mere (popular title) |
Materials and techniques | Wood engraving |
Brief description | Print, illustration to 'The Maids of Elfenmere', by GD Rossetti, engraved by Dalziel Brothers, 19th century. |
Physical description | Proof on India paper. |
Dimensions |
|
Credit line | Given by Mr E Dalziel |
Historical context | "The Music-Master," by W. Allingham, 1855; reprinted in "Day and Night Songs; and the Music-Master", p.203, 1860; and in "Life and Phantasy", "Flowers Pieces" etc. |
Subject depicted | |
Literary reference | The Music Master by William Allingham (1855) |
Summary | This print, after a design that Rossetti created as an illustration to a ballad by William Allingham, was engraved by the famous Dalziel brothers. The ballad concerns a village where three female apparitions come every night to sing and spin. They always disappear when the clock strikes eleven. A lovesick young man tries to make them stay longer and tricks them by turning back the village clock. The apparitions do indeed sing and spin for longer than usual that night, but they are never seen again. The ballad concludes with the young man pining and dying of a broken heart. Rossetti's characteristic use of tight framing, and the shallow pictorial space, help to create an intense mystical atmosphere. |
Bibliographic reference | Hoozee, Robert (ed.), British Vision. Observation and Imagination in British Art 1750-1950, Brussels : Mercatorfonds ; Ghent : Museum voor Schone Kunsten, 2007
267 |
Collection | |
Accession number | E.2923-1904 |
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Record created | July 25, 2006 |
Record URL |
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