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View of the Island of Rhodes

Watercolour
ca.1842-43 (made)
Artist/Maker
Place of origin

This landscape on Rhodes would have been visited by Dadd when on a sightseeing and sketching trip with his patron, Sir Thomas Philips. Shortly afterwards, the two travelled to Egypt, where Dadd is said to have contracted the severe sunstroke which precipitated his rapid fall into insanity. During his later years in the criminal lunatic asylum, he honed to an extreme degree the technique of painting seen here, where minute dabs of paint are hatched or stippled to describe gradiated colour and tone. Such an approach here captures this landscape as through a haze of intensified perception, generating a sense of vivid light and almost uncomfortable exposure.


Object details

Category
Object type
TitleView of the Island of Rhodes (popular title)
Materials and techniques
Watercolour
Brief description
Watercolour, 'View of the island of Rhodes' by Richard Dadd, ca.1842-43
Physical description
View of the island of Rhodes. Inscribed with title on the back, in the artist's hand.
Dimensions
  • Height: 245mm
  • Width: 372mm
Production typeUnique
Marks and inscriptions
Vieuw [sic] of the Island of Rhodes, near the site of a castle of the Knights of St John, a part of which still remains in ruins. (Inscribed on the back in the artist's hand.)
Production
Probably made during Dadd's visit to Europe and the Middle East from July 1842 to May 1843.
Place depicted
Summary
This landscape on Rhodes would have been visited by Dadd when on a sightseeing and sketching trip with his patron, Sir Thomas Philips. Shortly afterwards, the two travelled to Egypt, where Dadd is said to have contracted the severe sunstroke which precipitated his rapid fall into insanity. During his later years in the criminal lunatic asylum, he honed to an extreme degree the technique of painting seen here, where minute dabs of paint are hatched or stippled to describe gradiated colour and tone. Such an approach here captures this landscape as through a haze of intensified perception, generating a sense of vivid light and almost uncomfortable exposure.
Bibliographic references
  • Owens, Susan, The Art of Drawing British Masters and Methods since 1600, V&A Publishing, London, 2013, p. 96, fig. 73
  • Hoozee, Robert (ed.), British Vision. Observation and Imagination in British Art 1750-1950, Brussels : Mercatorfonds ; Ghent : Museum voor Schone Kunsten, 2007 140
  • Alison Smith, ed. Watercolour London: Tate Publishing, 2010. ISBN: 978-1-85437-913-9.
Collection
Accession number
27-1878

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Record createdJuly 25, 2006
Record URL
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