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Painting

first half 17th century (made)
Artist/Maker
Place of origin

Calligraphy was always regarded as more important than painting at the court of the Muslim Mughals. Jahangir and Shah Jahan preserved examples of the work of the greatest Iranian and Mughal calligraphers in albums. Their artists added illumination between the lines, and ornate borders. The minute birds have been included by the anonymous illuminator to the gold ground between the lines of Persian prose and a sura from the Koran.

Object details

Categories
Object type
Materials and techniques
Painted in opaque watercolour and gold on paper
Brief description
Painting, calligraphy panel, opaque watercolour and gold on paper, border and illumination Mughal, first half 17th century
Physical description
Painting, opaque watercolour and gold on paper, calligraphy panel.
Dimensions
  • Painting height: 21.2cm
  • Painting width: 19.2cm
  • Page height: 36.9cm
  • Page width: 23.2cm
Half Imperial Mount (Portrait)
Style
Gallery label
(27/9/2013)
ILLUMINATED CALLIGRAPHY
Opaque watercolour and gold on paper
Calligraphy probably Iran, 16th century
Illumination and borders Mughal,
c. 1610-20
IM.233A-1921

Calligraphy was regarded as more important than painting at the court of the Muslim Mughals. Writing was the means of transmitting the word of God and the wisdom of the past. Jahangir and Shah Jahan preserved examples of the work of the greatest Iranian and Mughal masters in albums. This page shows a prose passage and verse from the Koran. Court artists have decorated the spaces between the lines with minute scrolls, flowers and birds on a gold ground.
Credit line
Given by Sir Robert Nathan, K.C.S.I., C.I.E
Object history
From the collection of Sir Robert Nathan (1868-1921), purchased from Maulvi Muhammad Hussain, Judge, Small Claims Court, Delhi. Sir Robert Nathan was Private Secretary to the Viceroy of India, Lord Curzon, in 1905; became Chief Secretary to the Government of East Bengal and Assam in 1907, and was Police Commissioner of Dhaka before leaving India in 1914.

Given by Sir Robert Nathan, K.C.S.I., C.I.E. This acquisition information reflects that found in the Museum records (Asia Department registers and/or Central Inventory) as part of a 2023 provenance research project.

R.P. 1921-4451
Subject depicted
Summary
Calligraphy was always regarded as more important than painting at the court of the Muslim Mughals. Jahangir and Shah Jahan preserved examples of the work of the greatest Iranian and Mughal calligraphers in albums. Their artists added illumination between the lines, and ornate borders. The minute birds have been included by the anonymous illuminator to the gold ground between the lines of Persian prose and a sura from the Koran.
Bibliographic reference
Susan Stronge, Painting for the Mughal Emperor. The Art of the Book 1560-1660, V&A Publications, 2002, pl. 114 and pp. 149-153
Collection
Accession number
IM.233-1921

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Record createdMay 23, 2013
Record URL
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